"Everybody Gotta Have a Dream": Rap-centered Aspirations among Young Black Males Involved in Rap Music Production - A Qualitative Study.

B Brian Foster
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Abstract

Youth express diverse desires for their educational and occupational futures. Sometimes these aspirations are directed towards somewhat unconventional careers such as rapping and other types of involvement in rap music production. Although many studies have examined traditional educational and occupational aspirations, less is known about the factors that give rise to rap-centered aspirations and how individuals pursue them, particularly as they transition to early adulthood. Drawing on 54 semi- and unstructured interviews with 29 black young men involved in rap music production, I find that rap-centered aspirations are shaped by a range of factors, most notably feedback regarding one's rap skills, access to recording and production equipment, and the financial means to maintain involvement in rap music production while also ensuring personal and family economic stability. The young men in the study attached different meanings to their aspirations and sometimes recast their motivations for participating in rap music production in response to various social and economic factors.

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“每个人都有一个梦想”:参与说唱音乐制作的年轻黑人男性以说唱为中心的愿望-一项定性研究。
青年对未来的教育和职业表达了不同的愿望。有时,这些愿望是指向一些非常规的职业,如说唱和其他类型的参与说唱音乐制作。尽管许多研究都考察了传统的教育和职业抱负,但人们对产生以说唱为中心的抱负的因素以及个人如何追求这些抱负,尤其是在他们过渡到成年早期的时候,所知甚少。通过对29名从事说唱音乐制作的黑人青年进行54次半结构化和非结构化采访,我发现以说唱为中心的抱负是由一系列因素形成的,最明显的是关于一个人的说唱技巧的反馈,获得录音和制作设备的途径,以及在确保个人和家庭经济稳定的同时保持参与说唱音乐制作的经济手段。研究中的年轻人对自己的愿望赋予了不同的含义,有时会根据各种社会和经济因素改变他们参与说唱音乐制作的动机。
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"Everybody Gotta Have a Dream": Rap-centered Aspirations among Young Black Males Involved in Rap Music Production - A Qualitative Study.
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