The Dispute of Flirtation and Enthusiasm in Pre-Islamic Poetry An Objective Artistic Study For Teaching Arabic Literature/ جدلية الغزل والحماسة في الشعر الجاهلي دراسة موضوعية وفنية لتعليم الأدب العربي

IF 0.2 Q4 EDUCATION & EDUCATIONAL RESEARCH Ijaz Arabi Journal of Arabic Learning Pub Date : 2022-06-18 DOI:10.18860/ijazarabi.v5i2.15534
Arif Abdullah Mahmoud
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Abstract

Teaching Arabic, especially literature related to poetry, must also teach the character of Arabic writers. The flirtation movement was mixed with enthusiasm because it is found in all atmospheres, even in the poems of love, especially when it grows stronger and becomes the beloved in the comedy of heroism. For example, Antarah bin Shaddad, who collected the sword and the arrows, stabbed the honey in an atmosphere in which war and love were mixed for the sake of highness and the sublime (Al-Baldawi). Therefore, we find his poetry strong, devoid of softness and tenderness because he lived in the atmosphere of war, suffering, and the cruelty of its conditions. Thus, his language is enthusiastic, intense, and lacks indolence. The Arabic people are the sons of their environment. They are knights who stretch in the desert (the Arabian Peninsula) with all dignity and pride, confident in step, strong-willed, basking in the whims of freedom and fulfillment. The Arabs are assertive and do not slacken in the face of adversity, no matter the sacrifices it costs. This is how they love life and land—singing in it the hymn of war and flirting with those on it with the passion of love. It was a subject that occupied the interest of the pre-Islamic poets until they issued it at the beginning of his poems. That nature of art which is a psychological need, represents facts and consciousness as it is. The spirit of life awakens a person's sense of meanings that cannot be hidden or ignored, no matter how great or magnificent it is, because it is part of his breath (Abdullah). Thus, the psyche of the knights' poets was a song sung by the poem of love following the blockages and desertions they are experiencing and the separation or departure that makes them sleepless. It also provokes their anger towards those they love, as they convey their complaints in an unbearable alienation, continuing to talk about their suffering in search of solutions to resolve their crises and seeking to deal with the sad things (Abdel-Baqi).   
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教授阿拉伯语,尤其是与诗歌相关的文学,也必须教授阿拉伯作家的性格。调情运动夹杂着热情,因为它在所有的气氛中都可以找到,甚至在爱情的诗歌中,尤其是当它变得更加强烈,在英雄主义喜剧中成为心爱的人。例如,安塔拉·本·沙达德收集了剑和箭,在一种为了崇高和崇高而混合了战争和爱情的气氛中刺伤了蜂蜜(Al-Baldawi)。因此,我们发现他的诗很强烈,没有温柔和温柔,因为他生活在战争、苦难和残酷的环境中。因此,他的语言是热情的,激烈的,没有懒惰。阿拉伯人是他们环境的产物。他们是骑士,在沙漠(阿拉伯半岛)上伸展着所有的尊严和骄傲,步伐自信,意志坚强,沉浸在自由和满足的奇想中。阿拉伯人是自信的,面对逆境不会懈怠,无论付出多大的牺牲。这就是他们热爱生活和土地的方式——在生活中唱着战争的赞美诗,用爱情的激情与生活在土地上的人调情。这是一个前伊斯兰诗人感兴趣的主题,直到他们在他的诗歌开始时提出这个主题。艺术的本质是一种心理需求,它代表了事实和意识的本来面目。生命的精神唤醒了一个人的意义感,无论它多么伟大或壮丽,它都不能被隐藏或忽视,因为它是他呼吸的一部分(阿卜杜拉)。因此,骑士诗人的心灵是一首伴随着他们所经历的阻碍和抛弃以及使他们无法入睡的分离或离开而唱出的爱的诗歌。这也激起他们对所爱之人的愤怒,因为他们以一种难以忍受的疏离感来表达他们的抱怨,继续谈论他们的痛苦,以寻求解决危机的办法,并寻求处理悲伤的事情(Abdel-Baqi)。
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