The Curios Carnival

IF 0.4 2区 艺术学 0 THEATER TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2022-09-01 DOI:10.1017/S1054204322000296
M. Tan
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引用次数: 0

Abstract

Theatricality in music performances is often regarded as extraneous, but avantgarde toy pianist Margaret Leng Tan exploits the intermediality between theatricality and musicality to demonstrate how theatrimusicality is imperative to the creation and reception of her music. Curios (2015) is one example in which the work’s structure of meaning and the experience of the carnivalesque are evoked through such a theatrimusical dramaturgy.
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Curios嘉年华
音乐表演中的戏剧性通常被认为是无关的,但前卫玩具钢琴家Margaret Leng Tan利用戏剧性和音乐性之间的中间性来证明戏剧性对于她的音乐创作和接受是必不可少的。Curios(2015)就是一个例子,作品的意义结构和狂欢节的体验是通过这样一种戏剧化的戏剧手法唤起的。
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来源期刊
CiteScore
0.80
自引率
33.30%
发文量
63
期刊介绍: TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance
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