Pub Date : 2023-09-01DOI: 10.1017/S1054204323000230
Ra Malika Imhotep
In the Dirty Southern vernacular medium of the twerk video, performances of eroticized Black femininity by digital performance artist BeTTy BuTT and others knead into traumas of ecological dispossession, sexual vulnerability, and patriarchal violence. As an aesthetic survival strategy forged in the Black sexual economies of the contemporary Dirty South, being-in-blackfeminineflesh occasions a critical reappraisal of the performative labors of contemporary Black feminine figures, how our bodyminds witness them, and how we write about them.
{"title":"being-in-blackfeminineflesh","authors":"Ra Malika Imhotep","doi":"10.1017/S1054204323000230","DOIUrl":"https://doi.org/10.1017/S1054204323000230","url":null,"abstract":"In the Dirty Southern vernacular medium of the twerk video, performances of eroticized Black femininity by digital performance artist BeTTy BuTT and others knead into traumas of ecological dispossession, sexual vulnerability, and patriarchal violence. As an aesthetic survival strategy forged in the Black sexual economies of the contemporary Dirty South, being-in-blackfeminineflesh occasions a critical reappraisal of the performative labors of contemporary Black feminine figures, how our bodyminds witness them, and how we write about them.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"15 - 31"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49650020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1017/S1054204323000308
H. Kim
The transnational circulation of persistent racial types that are attached to Asian/American women have shaped Asian-focused narratives and roles on Broadway. The King and I (2015) and KPOP (2022) exemplify Asian/American women’s performative labor and the tensions embedded in and disruptive of the contested political arena of Broadway musical theatre.
{"title":"Performing Asian/American Women","authors":"H. Kim","doi":"10.1017/S1054204323000308","DOIUrl":"https://doi.org/10.1017/S1054204323000308","url":null,"abstract":"The transnational circulation of persistent racial types that are attached to Asian/American women have shaped Asian-focused narratives and roles on Broadway. The King and I (2015) and KPOP (2022) exemplify Asian/American women’s performative labor and the tensions embedded in and disruptive of the contested political arena of Broadway musical theatre.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"151 - 172"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45324410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1017/s1054204323000175
{"title":"TDR volume 67 issue 3 Cover and Front matter","authors":"","doi":"10.1017/s1054204323000175","DOIUrl":"https://doi.org/10.1017/s1054204323000175","url":null,"abstract":"","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"f1 - f5"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42066510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1017/s1054204323000217
Leda Koutsodaskalou
{"title":"Theatre and Dance in Greece Is in Danger","authors":"Leda Koutsodaskalou","doi":"10.1017/s1054204323000217","DOIUrl":"https://doi.org/10.1017/s1054204323000217","url":null,"abstract":"","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"6 - 7"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43661483","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1017/s1054204323000266
Keren Zaiontz
The full-scale invasion of Ukraine brought with it the criminalization of the free press in Russia and the bullying of independent reporters, exemplified by a red paint attack against Dmitry Muratov, one of the country’s foremost newspaper editors. The paint attack belongs to a cluster of wartime scenarios that make fluid use of “fake” blood and whose primary actors are not Kremlin cronies but antiwar protestors.
{"title":"Spectacles of Stigma in a World Beyond Shame","authors":"Keren Zaiontz","doi":"10.1017/s1054204323000266","DOIUrl":"https://doi.org/10.1017/s1054204323000266","url":null,"abstract":"The full-scale invasion of Ukraine brought with it the criminalization of the free press in Russia and the bullying of independent reporters, exemplified by a red paint attack against Dmitry Muratov, one of the country’s foremost newspaper editors. The paint attack belongs to a cluster of wartime scenarios that make fluid use of “fake” blood and whose primary actors are not Kremlin cronies but antiwar protestors.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"61 - 80"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41776897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1017/s1054204323000205
Lauren Bakst
Abstract:Lauren Bakst is an artist, writer, and scholar working through experimental performance. She is a PhD candidate in English at the University of Pennsylvania, and organizes and curates the School for Temporary Liveness.emo riot vibrates with neediness as a problem for thought.
{"title":"emo riot: to retreat from reason","authors":"Lauren Bakst","doi":"10.1017/s1054204323000205","DOIUrl":"https://doi.org/10.1017/s1054204323000205","url":null,"abstract":"Abstract:Lauren Bakst is an artist, writer, and scholar working through experimental performance. She is a PhD candidate in English at the University of Pennsylvania, and organizes and curates the School for Temporary Liveness.emo riot vibrates with neediness as a problem for thought.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"2 - 3"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41530458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1017/s105420432300028x
Sarah Richter
Dozens of theatres emerge in Yve Laris Cohen’s two performances, Conservation and Preservation, including: the theatre of cruelty, theatrical minimalist sculpture, legal theatres, operating theatres, and spectacular disasters. They provide the groundwork for exploring theatrical redundancy, refuse, excess, violence, speech, and the (im)possibility of repair.
{"title":"The Artist as Burning Building","authors":"Sarah Richter","doi":"10.1017/s105420432300028x","DOIUrl":"https://doi.org/10.1017/s105420432300028x","url":null,"abstract":"Dozens of theatres emerge in Yve Laris Cohen’s two performances, Conservation and Preservation, including: the theatre of cruelty, theatrical minimalist sculpture, legal theatres, operating theatres, and spectacular disasters. They provide the groundwork for exploring theatrical redundancy, refuse, excess, violence, speech, and the (im)possibility of repair.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"116 - 121"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44035736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1017/S105420432300031X
Crystal Song
How do we make sense of Asian American racial form as it telescopes across political invisibility and spectacular, hypervisible violence? Three recent works in Asian American performance studies help explore this question through the prism of the Covid-19 pandemic.
{"title":"Expressions of Surface","authors":"Crystal Song","doi":"10.1017/S105420432300031X","DOIUrl":"https://doi.org/10.1017/S105420432300031X","url":null,"abstract":"How do we make sense of Asian American racial form as it telescopes across political invisibility and spectacular, hypervisible violence? Three recent works in Asian American performance studies help explore this question through the prism of the Covid-19 pandemic.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"173 - 178"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49401494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1017/S1054204323000278
Meiling Cheng
For close to four decades, Claudia Bucher’s “scientart” has created myriad experiential habitats for her performing body, while inviting others to join her imaginary leaps. From personifying an outer-space lichen colony to meditating midair as an “anemochore kite,” Bucher demonstrates empathic kinships with other beings and nonbeings, calling forth alternative eco-systems in which sentience thrives as the common denominator for all inhabitants.
{"title":"Claudia Bucher in Five Movements","authors":"Meiling Cheng","doi":"10.1017/S1054204323000278","DOIUrl":"https://doi.org/10.1017/S1054204323000278","url":null,"abstract":"For close to four decades, Claudia Bucher’s “scientart” has created myriad experiential habitats for her performing body, while inviting others to join her imaginary leaps. From personifying an outer-space lichen colony to meditating midair as an “anemochore kite,” Bucher demonstrates empathic kinships with other beings and nonbeings, calling forth alternative eco-systems in which sentience thrives as the common denominator for all inhabitants.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"90 - 115"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43224956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1017/S1054204323000242
Meredith Lee
Primitive whiteness refers to the atavistic and colonial violence of the appropriation of tattooing in the United States. The radical deviance of the tattooist and their canvas, read through queer forms of pathologized identities, illuminates what happens when this primitive whiteness is indeed queer.
{"title":"Permanent Gestures","authors":"Meredith Lee","doi":"10.1017/S1054204323000242","DOIUrl":"https://doi.org/10.1017/S1054204323000242","url":null,"abstract":"Primitive whiteness refers to the atavistic and colonial violence of the appropriation of tattooing in the United States. The radical deviance of the tattooist and their canvas, read through queer forms of pathologized identities, illuminates what happens when this primitive whiteness is indeed queer.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"32 - 46"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48241686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}