Spiegare le note e il tempo con le parole. Appunti per una tipologia della recensione musicale in Italia

F. Rossi
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Abstract

The first part of the article outlines a typology of music review and essay based on the degree of assumption required of the reader and the author's ability/will to address non-experts. The second part illustrates examples of musical teaching and essays suitable for those who cannot read music. In the third part the role of metaphor in addressing musicological subjects is explained, and some linguistic and stylistic features (aulicisms) peculiar to writing on music are exemplified.
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用语言解释音符和时间。意大利音乐评论类型学的注释
文章的第一部分概述了音乐评论和文章的类型,基于读者所需的假设程度和作者对非专家的能力/意愿。第二部分举例说明了适合那些不懂音乐的人的音乐教学和散文。第三部分阐释了隐喻在音乐学主题中的作用,并举例说明了音乐写作所特有的一些语言和风格特征。
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Spiegare le note e il tempo con le parole. Appunti per una tipologia della recensione musicale in Italia Università e conoscenze: le relazioni fruttuose Un percorso didattico sul “Rigoletto” di Verdi: «La donna è mobile» e la voce come fantasma Tradurre in parole Beethoven: la Sonata per pianoforte in Re minore op. 31 n. 2 “La Tempesta” Paolo De Matteis, Musica e gesto nel teatro mozartiano. Le didascalie musicali nelle “Nozze di Figaro” , Lucca, LIM, 2020
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