Taming Settler Colonialism: The Statue of Lieutenant Harry Colebourn and Winnie-the-Bear

Pub Date : 2020-10-29 DOI:10.3828/bjcs.2020.5
Tracy Whalen
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Abstract

Abstract:This article argues that a popular Winnie-the-Bear statue operates within the framework of family to 'tame' the anxieties around settler colonialism. The ostensibly benign motives for taming that the statue condones align with and consolidate those offered in dominant discourses around bear capture, taming, and captivity in Canadian spaces of human/bear encounter. In keeping with such a project, the statue works to calm any discomfort visitors might feel about actual bear docility and captivity, particularly as these apply to the polar bears in the park's adjacent zoo and the tranquilised black bears that are occasionally spotted in residential areas. By extension, the statue opens up questions of taming and subservience in the authority structures that undergird the creation and maintenance of the Canadian nation state where docile, disempowered bodies have constituted and continue to constitute the desirable colonised subject in a settler-colonial society.
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驯服殖民者殖民主义:哈里·科尔伯恩中尉和小熊维尼的雕像
摘要:本文认为,一尊受欢迎的小熊维尼雕像是在家庭的框架内运作的,目的是“驯服”定居者殖民主义的焦虑。雕像宽恕的驯服熊的表面上善意的动机与加拿大人类/熊相遇空间中围绕捕获、驯服和圈养熊的主流话语中所提供的动机一致并得到了巩固。为了与这样一个项目保持一致,这座雕像旨在平息游客可能对熊的温顺和圈养感到的任何不适,尤其是公园附近动物园的北极熊和偶尔在居民区发现的安静的黑熊。从广义上讲,这座雕像揭示了在建立和维护加拿大民族国家的权力结构中驯服和顺从的问题,在这个国家中,温顺、无权力的机构已经并将继续构成定居者殖民社会中理想的殖民主体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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