La representación de indígenas y afrodescendientes en la fotografía antropológica en Brasil

M. Moreira
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引用次数: 1

Abstract

Brazil is going through a critical moment in its social history. However, it may be the appropriate time to rethink the structural racism built by the colonial process. Based on a historical review of the representation of indigenous and Afro-Brazilian people in Brazilian anthropological photography, we sought to recognize the evolution of the colonial discourse developed in the country. The study was supported by a broad research on emblematic photographs from public and private archives, and the reading of anthropologists and historians, especially Fernando de Tacca (2011). Five phases of this genealogy of coloniality in the country are concluded from this review. Currently, practices that seek to decolonize are perceived from a critical and dialogical rereading of photographic memory that can heal and symbolically transform the identity of the groups violated by colonial history, but a new challenge is interposed from the computer algorithms.
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巴西人类学摄影中土著和非洲后裔的表现
巴西正在经历其社会历史上的关键时刻。然而,现在也许是重新考虑殖民进程所造成的结构性种族主义的适当时机。基于对巴西人类学摄影中土著和非裔巴西人的代表性的历史回顾,我们试图认识到该国殖民话语的演变。这项研究得到了对公共和私人档案中标志性照片的广泛研究的支持,以及人类学家和历史学家的阅读,特别是费尔南多·德·塔卡(2011)。本文总结了我国殖民谱系的五个阶段。目前,寻求非殖民化的做法是通过对摄影记忆的批判性和对话性重读来感知的,这可以治愈和象征性地改变被殖民历史侵犯的群体的身份,但计算机算法带来了新的挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
35
审稿时长
12 weeks
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