Music Management: Production System and Promotion in the Music Industry

Arsenii Pushmin
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Abstract

Introduction. The music industry is an important component of show business, and to successfully operate in the field of aesthetic entertainment culture, it is necessary to study its activities as a system that includes music production, promotion, distribution, and consumption. Music management is a vital element of this system, as it manages processes related to musical works creation and dissemination. Purpose and methods. The purpose of the article is to study the system of musical works creating and promoting, as well as to evaluate the main methods, tools, and strategies in the music industry in the context of music management. The work is based on dialectical, empirical, systemic, and interdisciplinary approaches, which have allowed us to generalize the theoretical and practical achievements accumulated by society in the context of music management. Results. The essence of the music industry, particularly management, production, and promotion, has been revealed. The sequence of processes of a musical product on its path from creation to consumption has been identified. The peculiarities of production and promotional tools in the music industry have been determined. All types of music activities related to the creation, duplication, storage, reproduction, distribution, study, evaluation, and perception of musical works have been justified. Conclusions. The usage of the obtained results will significantly increase the competitiveness of the socio-cultural sphere through understanding the music industry as an organic structure of interconnected components, including creators, intermediaries, means of disseminating musical products, consumers, and direct musical works.
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音乐管理:音乐产业的生产体系与推广
介绍。音乐产业是演艺界的重要组成部分,要想在审美娱乐文化领域成功运作,有必要将其作为一个包括音乐制作、宣传、发行、消费在内的系统来研究。音乐管理是该系统的重要组成部分,因为它管理着与音乐作品创作和传播相关的过程。目的和方法。本文的目的是研究音乐作品的创作与推广体系,并在音乐管理的背景下评价音乐产业的主要方法、工具和策略。这项工作基于辩证的、经验的、系统的和跨学科的方法,这使我们能够概括社会在音乐管理背景下积累的理论和实践成果。结果。音乐产业的本质,特别是经营、制作、宣传,已经显露出来。音乐产品从创作到消费的过程顺序已经确定。音乐产业中制作和宣传工具的特点已经确定。所有与音乐作品的创作、复制、存储、复制、发行、研究、评价和感知有关的音乐活动都是正当的。结论。通过将音乐产业理解为一个相互关联的组成部分的有机结构,包括创作者、中介、传播音乐产品的手段、消费者和直接音乐作品,获得的结果的使用将显著提高社会文化领域的竞争力。
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审稿时长
4 weeks
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