Experiencing Revulsion: Aesthetic Discomfort and Ordinary Life

IF 0.3 0 PHILOSOPHY Open Philosophy Pub Date : 2023-01-01 DOI:10.1515/opphil-2022-0256
R. Andreescu
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Abstract

Abstract Drawing on recent theories and debates concerning the everydayness of non-artistic and even private aesthetic experiences, this article aims at differentiating new ways of dealing with revulsion at the intersection of negative and everyday aesthetics, as another manner of extending or transcending the scope of traditional art-oriented aesthetics. The paradigms that I will trace in the history of negative aesthetics are not mere occurrences of disgust or repulsiveness in art and in everyday life, but ways of addressing the repulsive in relation to the culturally variable scope of art and aesthetics. Besides the classical paradigm that associates repugnant subjects with their pleasure-inducing imitations in art, and the transgressions of modern and contemporary art that increasingly shocked their audience, revulsion can also be regarded as a form of displeasure linked to the quotidian, yet aesthetically relevant forms of life. By virtue of this ordinary nature, which is not unfamiliar to other (non-Western) cultures, revulsion could be placed at the core of everyday aesthetics, since it confirms both the transition from contemplation to action in recent aesthetics, that is, the practical preoccupation with the aesthetic quality of living, and the broader redefinition of aesthetics in terms of sensory reactions.
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体验反感:审美的不适与平凡的生活
摘要本文借鉴了最近关于非艺术甚至私人审美体验的日常性的理论和争论,旨在区分在消极美学和日常美学的交叉点上处理反感的新方法,作为对传统艺术美学范围的另一种扩展或超越。我将在消极美学史上追溯的范式不仅仅是艺术和日常生活中厌恶或排斥的发生,而是在艺术和美学的文化可变范围内解决排斥的方法。除了将令人反感的主题与艺术中令人愉悦的模仿联系在一起的古典范式,以及越来越震惊观众的现代和当代艺术的越轨行为之外,反感也可以被视为一种与日常但在美学上相关的生活形式相关的不快。由于这种对其他(非西方)文化并不陌生的普通性质,反感可以被置于日常美学的核心,因为它既证实了现代美学从沉思到行动的转变,即对生活美学质量的实践关注,也证实了从感官反应角度对美学的更广泛重新定义。
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来源期刊
Open Philosophy
Open Philosophy Arts and Humanities-Philosophy
CiteScore
1.40
自引率
20.00%
发文量
25
审稿时长
15 weeks
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