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Relational or Object-Oriented? A Dialogue between Two Contemporary Ontologies 关系型还是面向对象型?两种当代本体论之间的对话
IF 0.5 0 PHILOSOPHY Pub Date : 2024-09-18 DOI: 10.1515/opphil-2024-0022
Adrian Razvan Sandru
Graham Harman’s Object-Oriented Ontology (OOO) emphasizes the autonomy of objects, positing a withdrawn surplus of being that resists reduction to its parts or the sum of its parts. However, Harman’s framework faces conceptual tensions, including challenges in reconciling epistemological and ontological dimensions, explaining the formation of compound objects, and ascribing determinate features to experientially inaccessible objects. I argue that these issues arise mostly due to Harman’s over-commitment to a withdrawn substantial core of objects. To address these issues, I propose turning to Jean-Luc Nancy’s post-phenomenological materialism and Alain Badiou’s mathematical realism. Both Nancy and Badiou offer alternatives to Harman’s substantialist core, emphasizing a local, contextually bound identity of things, which describes a restricted domain from the endlessly broader horizon of relations and situations in which each thing is or can be involved. They thus account for the surplus of being in each thing and consequently their ontological autonomy without recourse to a substantive grounding. I argue such a relational-friendly account of pluralism avoids the conceptual issues Harman’s OOO runs into. Lastly, I emphasize the value of OOO as an advocate for ontological equality that seeks to avoid the emergence of privileged actors or centralized discourse. This dialogue between Harman, Nancy, and Badiou thus seeks to advance the possibility of pluralistic ontologies within relational frameworks, combining the perspectives of OOO with post-phenomenological theories to explore the complexities of relationality without recourse to non-relational substrata.
格雷厄姆-哈曼(Graham Harman)的 "面向对象的本体论"(OOO)强调了对象的自主性,认为存在着一种抽离的剩余,它拒绝被还原为其部分或部分之和。然而,哈曼的框架面临着概念上的矛盾,包括在调和认识论与本体论维度、解释复合对象的形成以及为经验上无法触及的对象赋予确定性特征等方面的挑战。我认为,这些问题的出现主要是由于哈曼过于执着于一个被撤回的实质性对象核心。为了解决这些问题,我建议转向让-吕克-南希的后现象学唯物主义和阿兰-巴迪欧的数学现实主义。南希和巴迪欧都为哈曼的实体论核心提供了替代方案,强调事物的局部性、与语境相关的同一性,而这种同一性描述的是每个事物所涉及或可能涉及的无尽广阔的关系和情境中的一个有限领域。因此,它们解释了每一事物的存在剩余,从而解释了它们在本体论上的自主性,而无需诉诸实质基础。我认为,这种对关系友好的多元论解释避免了哈曼的 OOO 所遇到的概念问题。最后,我强调 OOO 的价值在于倡导本体论平等,避免出现特权行动者或中心化话语。因此,哈曼、南希和巴迪欧之间的对话试图在关系框架内推进多元本体论的可能性,将OOO的视角与后现象学理论相结合,探索关系性的复杂性,而不诉诸于非关系性的底层。
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引用次数: 0
On the “How” and the “Why”: Nietzsche on Happiness and the Meaningful Life 论 "如何 "与 "为何":尼采论幸福和有意义的人生
IF 0.5 0 PHILOSOPHY Pub Date : 2024-09-10 DOI: 10.1515/opphil-2024-0033
Marta Faustino
Nietzsche is commonly interpreted as strongly rejecting and even despising any possible conception (or pursuit) of happiness. And yet, one of the most pervasive topics in Nietzsche’s work is the problem of human suffering, the pursuit of meaning (or purpose) in life, and the possibility of a joyful or affirmative disposition toward existence. In this article, I argue that Nietzsche’s criticism of common conceptions of happiness should be seen as a redefinition, rather than a rejection, of the notion of human happiness, with important implications for contemporary discussions on the topic. I start by addressing three of the main contemporary theories of happiness from a Nietzschean perspective, underlining both the points of convergence and the points of divergence between Nietzsche and each of these accounts. I then gather the conclusions of the previous section, add Nietzsche’s positive claims on happiness and the meaningful life, and sketch what might be called a Nietzschean theory of happiness. Finally, I situate Nietzsche’s position in the contemporary debate on the topic and outline what I take to be his most important contributions to current discussions on happiness, meaning, and well-being in human life.
尼采通常被解释为强烈反对甚至鄙视任何可能的幸福概念(或追求)。然而,尼采作品中最普遍的主题之一是人类的苦难问题、对人生意义(或目的)的追求,以及对存在的快乐或肯定态度的可能性。在这篇文章中,我认为尼采对常见幸福概念的批判应被视为对人类幸福概念的重新定义,而非否定,这对当代有关该主题的讨论具有重要意义。我首先从尼采的视角探讨了当代三种主要的幸福理论,强调了尼采与这些理论的共同点和分歧点。然后,我总结了前一部分的结论,补充了尼采关于幸福和有意义生活的积极主张,并勾勒出一种可称为尼采幸福理论的东西。最后,我将尼采置于当代关于这一主题的辩论中,并概述我认为他对当前关于人类生活中的幸福、意义和福祉的讨论做出的最重要贡献。
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引用次数: 0
Knowing Holbein’s Objects: An Object-Oriented-Ontology Analysis of The Ambassadors 了解霍尔拜因的对象:大使》的面向对象本体分析
IF 0.5 0 PHILOSOPHY Pub Date : 2024-09-09 DOI: 10.1515/opphil-2024-0032
Zoran Poposki
This article investigates the tenet of Object-Oriented Ontology (OOO) that art, like philosophy, is a form of cognition different from literal knowledge by applying key OOO concepts to the analysis of the Renaissance painting The Ambassadors (1533), a double portrait by Hans Holbein the Younger (1497/98–1543). The Ambassadors is found to exemplify the key principles of OOO in its treatment of objects and their relationships. Through an OOO lens, the painting becomes not merely a literal representation of the subjects and their possessions, but a dynamic interplay of real and sensual qualities that exceeds any straightforward paraphrase. The figures and objects in the work are not simply passive symbols, but active agents that withdraw from direct access, preserving their autonomy and inviting the viewer’s participatory engagement. Holbein’s masterpiece comes alive precisely by troubling its own representational coherence, drawing the viewer into an uncanny encounter with the withdrawn depths of objects. By reading The Ambassadors through an object-oriented framework, the painting exemplifies art’s capacity to operate as a non-literal form of cognition, irreducible to mere symbolic codes or propositional knowledge.
本文将面向对象本体论(OOO)的关键概念应用于分析文艺复兴时期小汉斯-霍尔拜因(Hans Holbein the Younger,1497/98-1543 年)的双人肖像画《大使》(The Ambassadors,1533 年),从而研究面向对象本体论(OOO)的信条,即艺术与哲学一样,是一种不同于字面知识的认知形式。我们发现,《大使》在处理对象及其关系方面体现了 OOO 的主要原则。通过 OOO 的视角,这幅画不仅仅是对主人公及其财产的字面再现,而是真实与感性的动态交织,超越了任何直白的诠释。作品中的人物和物品不仅仅是被动的符号,而是主动的媒介,它们从直接接触中退出,保留了自己的自主性,并邀请观众参与其中。霍尔拜因的杰作正是通过对其自身表象一致性的质疑而变得鲜活起来,吸引着观众与对象的抽离深处进行一场不可思议的邂逅。通过以对象为导向的框架来解读《使者》,这幅画体现了艺术作为一种非字面形式的认知而运作的能力,它无法被单纯的符号代码或命题知识所还原。
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引用次数: 0
Calling and Responding: An Ethical-Existential Framework for Conceptualising Interactions “in-between” Self and Other 呼唤与回应:自我与他人 "之间 "互动概念化的伦理-存在主义框架
IF 0.5 0 PHILOSOPHY Pub Date : 2024-09-04 DOI: 10.1515/opphil-2024-0034
Lotta Jons
In this article, the methodological meaning of listening will be explored as an ethical-existential heeding. Grounded in an understanding of listening as a matter of heeding, I present a framework founded on Martin Buber’s dialogical philosophy entitled Calling and Responding, in which human being’s relation to the world is conceptualised as a process of paying heed to a summons from the Other – followed by a responsible response to that summons – and in turn calling the Other. Such an understanding of the interactions in-between self and the Other is based on the premise that one has an auditory disposition when perceiving and dealing with the world. I elaborate the Buberian foundation of the concepts comprising the framework, clarify the method of philosophical conceptualisation, and present practical examples from the context of pedagogical relations.
本文将探讨倾听作为一种伦理--存在主义倾听的方法论意义。基于对倾听的理解,我提出了一个以马丁-布伯(Martin Buber)题为 "召唤与回应"(Calling and Responding)的对话哲学为基础的框架,在这个框架中,人类与世界的关系被概念化为一个倾听他者召唤的过程--然后对召唤做出负责任的回应--反过来召唤他者。这种对自我与他者之间互动关系的理解,是以人在感知和处理世界时具有听觉倾向为前提的。我阐述了构成这一框架的概念的布伯基础,阐明了哲学概念化的方法,并列举了教学关系中的实际例子。
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引用次数: 0
Non-Existence: The Nuclear Option 不存在:核选择
IF 0.5 0 PHILOSOPHY Pub Date : 2024-08-16 DOI: 10.1515/opphil-2024-0026
Graham Priest
This article concerns the work of the prime movers of the Neo-Meinongian “revival,” Terry Parsons and Richard Routley, and specifically their solution to the issue of how to formulate the Characterisation Principle (a thing that is so and so, is so and so). Both adopted variations of the nuclear/non-nuclear (characterising/non-characterising) strategy. This article discusses their implementations of the strategy and its problems.
本文涉及新麦农主义 "复兴 "的主要推动者特里-帕森斯(Terry Parsons)和理查德-路特利(Richard Routley)的工作,特别是他们对如何表述 "表征原则"(事物如此这般,就是如此这般)这一问题的解决方案。两人都采用了核/非核(表征/非表征)策略的变体。本文讨论了他们对这一策略的实施及其问题。
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引用次数: 0
The Basic Dualism in the World: Object-Oriented Ontology and Systems Theory 世界的基本二元论面向对象的本体论与系统论
IF 0.5 0 PHILOSOPHY Pub Date : 2024-08-15 DOI: 10.1515/opphil-2024-0028
Martin Zwick
Graham Harman writes that the “basic dualism in the world lies…between things in their intimate reality and things as confronted by other things.” However, dualism implies irreconcilable difference; what Harman points to is better expressed as a dyad, where the two components imply one another and interact. This article shows that systems theory has long asserted the fundamental character of Harman’s dyad, expressing it as the union of internal structure and external function, which correspond exactly to what Levi Bryant, characterizing Harman’s views, refers to as the intra-ontic and the inter-ontic, respectively. After interpreting Harman’s dyad in terms of the ontology of systems theory, the article illustrates his dyad with a variety of examples, including conceptions about truth, ethics, value, and intelligence. The structure–function dyad is a spatial conception of a system as an object. It is usefully augmented with a temporal dimension, expressed in a third component or with an additional orthogonal dyad. Adding a temporal dyad to the structure–function dyad joins the idea of an event and/or process to the idea of an object.
格雷厄姆-哈曼(Graham Harman)写道,"世界的基本二元论在于......事物在其亲密的现实中和事物与其他事物的对抗之间"。然而,二元论意味着不可调和的差异;哈曼所指出的最好是二元对立,即两个组成部分相互暗示、相互作用。本文指出,系统论早已肯定了哈曼二元对立的基本特征,将其表述为内部结构与外部功能的结合,这与列维-布莱恩特(Levi Bryant)在表述哈曼的观点时分别称之为 "内部-实体"(intra-ontic)和 "内部-实体"(inter-ontic)是一一对应的。在从系统论的本体论角度解释了哈曼的二元对立之后,文章用各种例子来说明他的二元对立,包括关于真理、伦理、价值和智能的概念。结构-功能二元对立是系统作为对象的空间概念。它还可以用时间维度加以补充,用第三部分或额外的正交二元对立来表示。在结构-功能二元对立中加入时间二元对立,可以将事件和/或过程的概念与对象的概念结合起来。
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引用次数: 0
Critique of Reification of Art and Creativity in the Digital Age: A Lukácsian Approach to AI and NFT Art 对数字时代艺术和创造力再造的批判:卢卡奇式的人工智能和 NFT 艺术方法
IF 0.5 0 PHILOSOPHY Pub Date : 2024-08-15 DOI: 10.1515/opphil-2024-0027
Zoran Poposki
This article critically examines the emergent phenomena of AI-generated and NFT art through the lens of Georg Lukács’ theory of reification and its existential implications. Lukács argued that under capitalism, social relations and human experiences are transformed into objective, quantifiable commodities, leading to a fragmented and alienated consciousness. Applying this framework to AI and NFT art, these technologies can be said to represent extreme examples of the reification of art and creativity in the digital age. AI art generators reduce artistic production to abstract, computable properties divorced from lived experience, while NFTs transform digital art into speculative commodities, imposing the logic of private property and exchange value onto the previously open domain of online culture. The existential dimension of this reification is explored, raising questions about the nature of creativity, originality, and the value of art in an increasingly financialized and automated world. The article suggests that a Lukácsian critique must not only diagnose the reified character of these cultural forms but also identify their potential for resistance and transformation, pointing toward a re-humanized and emancipatory vision of art in the digital age. Contemporary theorists such as Tiziana Terranova, Nick Dyer-Witheford, and Benjamin Noys are invoked to further elucidate these issues.
本文通过格奥尔格-卢卡奇(Georg Lukács)的 "重化"(reification)理论及其对存在的影响的视角,批判性地研究了人工智能生成艺术和NFT艺术的新现象。卢卡奇认为,在资本主义制度下,社会关系和人类经验被转化为客观的、可量化的商品,从而导致意识的分裂和异化。将这一框架应用于人工智能和 NFT 艺术,可以说这些技术代表了数字时代艺术和创意被重新整合的极端例子。人工智能艺术生成器将艺术创作还原为抽象的、可计算的、脱离生活经验的属性,而NFT则将数字艺术转化为投机商品,将私有财产和交换价值的逻辑强加于以往开放的网络文化领域。文章探讨了这种重化的存在维度,提出了在一个日益金融化和自动化的世界中,艺术的创造性、原创性和价值的本质问题。文章认为,卢卡奇式的批判不仅要诊断这些文化形式的重新整合特征,还要确定其抵抗和转型的潜力,指向数字时代艺术的重新人性化和解放的愿景。为了进一步阐明这些问题,我们援引了蒂齐亚娜-特拉诺瓦(Tiziana Terranova)、尼克-戴尔-维特福德(Nick Dyer-Witheford)和本杰明-诺伊斯(Benjamin Noys)等当代理论家的观点。
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引用次数: 0
The Auditory Dimension of the Technologically Mediated Self 技术媒介自我的听觉维度
IF 0.5 0 PHILOSOPHY Pub Date : 2024-07-22 DOI: 10.1515/opphil-2024-0017
Ivan Gutierrez
In this article, I aim to clarify some of the ways in which the auditory dimension of the self is constituted through the mediation of technology. I show that by excluding our immediate surroundings with mobile personalized and private auditory technologies, we are increasingly laying down a personal, inner spatial grid of acoustic memories that get integrated into our narrative identity and co-constitutes the space of familiarity and belonging that gives us a sense of who we are. To do so, I first lay out a clear ontological ground. Next, I outline how the auditory dimension of the self is constituted and subsequently mediated technologically. Finally, I bring to bear Erving Goffman’s theatrical framework of performative self-constitution as a useful framework to illustrate how, on one hand, the culturally available repertoire on which the imagination draws to constitute the self has augmented thanks to the contributions of other people in distal spatiotemporal contexts; on the other, the reconfiguration of how we listen to the world and the other people in it entails muting or blocking out of other voices. This can stunt how we conceive of ourselves, producing an epistemic bubble involving a tunnel “vision” or echo-chamber effect. In addition, due to the coupling of bodily and cognitive structures with mobile, privatized auditory technologies that thereby become transparent in experience, others, by listening in on us, acquire the ability to privilege certain types of behavior while suppressing others. Thus, there is a danger that the individual autonomous agency so important to self-constitution can be compromised.
在这篇文章中,我旨在阐明自我的听觉维度是如何通过技术中介来构成的。我想说明的是,通过利用移动个性化和私人听觉技术排除我们周围的环境,我们正越来越多地建立起个人的、内在的声音记忆空间网格,这些声音记忆融入了我们的叙事身份,共同构成了熟悉和归属的空间,让我们感觉到自己是谁。为此,我首先阐述了一个清晰的本体论基础。接下来,我将概述自我的听觉维度是如何构成的,以及随后又是如何以技术为中介的。最后,我将埃尔文-戈夫曼(Erving Goffman)关于表演性自我构成的戏剧框架作为一个有用的框架来说明,一方面,由于其他人在遥远时空背景下的贡献,想象力构成自我的文化可用剧目是如何增加的;另一方面,我们倾听世界和世界上其他人的方式的重新配置需要弱化或屏蔽其他声音。这可能会阻碍我们对自身的认识,产生一种涉及隧道 "视野 "或回声室效应的认识论泡沫。此外,由于身体和认知结构与移动的、私人化的听觉技术相结合,从而在经验中变得透明,其他人通过监听我们,获得了在压制其他行为的同时对某些类型的行为给予特权的能力。因此,对自我构成如此重要的个人自主机构有可能受到损害。
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引用次数: 0
Happiness and Joy in Aristotle and Bergson as Life of Thoughtful and Creative Action 亚里士多德和柏格森笔下的幸福与快乐,作为有思想、有创造力的行动生活
IF 0.5 0 PHILOSOPHY Pub Date : 2024-07-16 DOI: 10.1515/opphil-2024-0021
Marina Marren
The view of happiness that I propose in this article and derive on the basis of Aristotle’s and Henri Bergson’s ideas recommends that we must first understand life as an activity – not as a sum of accumulated experiences and things; nor a set of projects; nor fateful or haphazard events that befall us, but as a formative activity in which we play a key role. Ἐνέργεια or de l’action are at the core of life and it is by getting a hold of this creative core that we stand to live happily (Aristotle) or joyously (Bergson). For both thinkers, the possibility of happiness and joy comes to the fore, to no small extent, as a certain orientation in our thinking, i.e., as φρόνησις and θεωρία, for Aristotle, and as philosophy for Bergson. Our thoughts inform our choices and actions as well as our view of the world, grounding our sense of meaning, purpose, and value of action. It is by reckoning with the ever-unfolding act of life and with our own actions in it (actions which can be vicious, senseless, and unexamined or creative and constitutive of a life well-lived) that we also take hold of the possibility of happiness and joy.
我在本文中提出的幸福观是在亚里士多德和亨利-柏格森的思想基础上衍生出来的,它建议我们必须首先将生活理解为一种活动--不是积累的经验和事物的总和,也不是一系列项目,更不是降临在我们身上的命运或偶然事件,而是我们在其中扮演关键角色的一种形成性活动。生命的核心是 "行动 "或 "创造",只有把握住这个创造性的核心,我们才能幸福地生活(亚里士多德)或快乐地生活(柏格森)。对这两位思想家来说,幸福和快乐的可能性在很大程度上是作为我们思维的某种取向而凸显出来的,即对亚里士多德来说是作为φρόνησις和θεωρία,而对柏格森来说是作为哲学。我们的思想影响着我们的选择和行动,也影响着我们对世界的看法,是我们对行动的意义、目的和价值的基础。正是通过对不断发展的生命活动以及我们自己在其中的行动(这些行动可能是恶毒的、无意义的、未经审视的,也可能是创造性的、构成美好生活的)的思考,我们也把握住了幸福和快乐的可能性。
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引用次数: 0
Nietzsche, Nishitani, and Laruelle on Faith and Immanence 尼采、西谷和拉鲁埃尔论信仰与无常
IF 0.5 0 PHILOSOPHY Pub Date : 2024-07-09 DOI: 10.1515/opphil-2024-0023
Matthew C. Kruger
This article explores the use of the concept of “faith” in three non-Christian philosophers. The study begins with Nietzsche, who, while deeply critical of Christian belief throughout his work, offers a positive reformulation of the term in a few key texts. From here, the discussion proceeds to two authors who are deeply influenced by Nietzsche, François Laruelle, and Nishitani Keiji. Laruelle’s recent turn to non-theology sees him engaging directly with Christian theological material and presenting a distinction between a positive form of “faith” in contrast from standard religious “belief,” a distinction I suggest bears close resemblance to Nietzsche’s approach, especially in relation to the Apostle Paul. Finally, Nishitani offers his own account of faith, one inspired primarily by the Buddhist notion of faith, but also referencing Christian theology and specifically the practice of Paul, while also connecting with Nietzsche. The connecting theme for all three thinkers is rooted in Zarathustra’s encouragement to be “faithful to the earth,” a non-transcendent, immanent formulation of faith. Faith, in Nishitani and Laruelle especially, is non-doctrinal, non-dogmatic, and non-intellectual; it is, instead, practical, an immanent existence, a way of life resulting in a different form of connection with the world around us.
本文探讨了三位非基督教哲学家对 "信仰 "概念的使用。研究从尼采开始,尼采在其作品中对基督教信仰进行了深刻的批判,但在一些关键文本中对这一术语进行了积极的重新表述。接下来,我们将讨论两位深受尼采影响的作家--弗朗索瓦-拉吕埃勒和西谷圭二。拉鲁埃尔最近转向非神学研究,他直接参与基督教神学材料的研究,并提出了 "信仰 "的积极形式与标准宗教 "信仰 "之间的区别,我认为这种区别与尼采的方法非常相似,尤其是与使徒保罗的关系。最后,西谷提出了他自己的信仰论述,这一论述主要受到佛教信仰概念的启发,但也参考了基督教神学,特别是保罗的实践,同时也与尼采有所联系。三位思想家的主题都源于查拉图斯特拉对 "忠于大地 "的鼓励,这是一种非超越的、内在的信仰表述。尤其是在西谷和拉吕埃尔看来,信仰是非教义、非教条和非智力的;相反,它是实用的,是一种内在的存在,是一种与我们周围世界产生不同形式联系的生活方式。
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引用次数: 0
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Open Philosophy
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