{"title":"A Reflection on Identity","authors":"Trina Hobson","doi":"10.1080/17454832.2022.2102790","DOIUrl":null,"url":null,"abstract":"My paintings introduce a story to the viewer, drawing on invented and imagined contexts, places and connections for characters. The familiar and personally known are frequently merged with a store of characters from art history and literature, inviting the viewer into these sustained environments. Through narratives my painting practice embeds existential issues: feelings of abandonment are juxtaposed with reflectiveness, disjointedness and fragmentation. The process of deconstructing and flattening the images moves them towards the abstracted and ambiguous, forcing the viewer to fill in the spaces with something personal in order to make meaning.","PeriodicalId":39969,"journal":{"name":"International Journal of Art Therapy: Inscape","volume":"27 1","pages":"99 - 99"},"PeriodicalIF":2.3000,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Art Therapy: Inscape","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17454832.2022.2102790","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"PSYCHOLOGY, CLINICAL","Score":null,"Total":0}
引用次数: 0
Abstract
My paintings introduce a story to the viewer, drawing on invented and imagined contexts, places and connections for characters. The familiar and personally known are frequently merged with a store of characters from art history and literature, inviting the viewer into these sustained environments. Through narratives my painting practice embeds existential issues: feelings of abandonment are juxtaposed with reflectiveness, disjointedness and fragmentation. The process of deconstructing and flattening the images moves them towards the abstracted and ambiguous, forcing the viewer to fill in the spaces with something personal in order to make meaning.
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