J. Connell, Xuesong Ding, P. McManus, Chrissie Gibson
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引用次数: 6
Abstract
Complex relationships exist between rationales for visiting, experiences and perceptions. Tourists are influenced by others, increasingly through social media as electronic word of mouth (ewom). While visitation rationales associated with popular culture are well documented, less understood is how social media use among specific cultural groups constructs and fuels new fictitious sites of popular cultural tourism, through what we call ‘soft heritage’. Particular physical qualities (often visual) endow places with a distinct but fabricated heritage value, linked especially to fictional characters in popular culture. Tourism numbers grow accordingly, as soft heritage sites become marked places for tourists of specific cultural backgrounds. This is illustrated through the case of the University of Sydney, which in the 2010s became a significant destination for Chinese tourists. Through mixed-methods research involving participant observation and interviews with 85 Chinese tourists, the rationales, experiences and perceptions of Chinese tourists were explored. Reasons for visiting included group tours, education, heritage and photography, but a key attraction was the ‘Harry Potter building’, a site not in JK Rowling’s books, nor involved in the making of the films, and not previously a tourist attraction. So much did social media and the Harry Potter Building influence tourism that the University became the most prominent of the city’s several ‘marked places’ (daka). The participatory character of Chinese social media, combined with architectural heritage and the enthusiasm of many younger Chinese tourists for Harry Potter, led them to create a new Chinese tourist site (or daka destination) without input from the management of the place itself.
期刊介绍:
Tourist Studies is a multi-disciplinary journal providing a platform for the development of critical perspectives on the nature of tourism as a social phenomenon through a qualitative lens. Theoretical and multi-disciplinary. Tourist Studies provides a critical social science approach to the study of the tourist and the structures which influence tourist behaviour and the production and reproduction of tourism. The journal examines the relationship between tourism and related fields of social inquiry. Tourism and tourist styles consumption are not only emblematic of many features of contemporary social change, such as mobility, restlessness, the search for authenticity and escape, but they are increasingly central to economic restructuring, globalization, the sociology of consumption and the aestheticization of everyday life. Tourist Studies analyzes these features of tourism from a multi-disciplinary perspective and seeks to evaluate, compare and integrate approaches to tourism from sociology, socio-psychology, leisure studies, cultural studies, geography and anthropology. Global Perspective. Tourist Studies takes a global perspective of tourism, widening and challenging the established views of tourism presented in current periodical literature. Tourist Studies includes: Theoretical analysis with a firm grounding in contemporary problems and issues in tourism studies, qualitative analyses of tourism and the tourist experience, reviews linking theory and policy, interviews with scholars at the forefront of their fields, review essays on particular fields or issues in the study of tourism, review of key texts, publications and visual media relating to tourism studies, and notes on conferences and other events of topical interest to the field of tourism studies.