Battle for Housing and Mutual Witnessing

IF 1.1 2区 社会学 Q2 ANTHROPOLOGY Public Culture Pub Date : 2022-10-31 DOI:10.1215/08992363-9937269
Camila Pierobon
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Abstract

This article reflects on the dangers related to the circulation and displacement of the urban poor in Brazil, which intensified during the COVID-19 pandemic. The author describes a moment when Black women with small children asked for permission from the leadership of a local drug trafficking group to invade the empty rooms of the Nelson Mandela Occupation in downtown Rio de Janeiro, a common practice in the dispute for housing. However, suddenly there was a transformation in the logic of invasions. Rooms where single men lived became targets of dispute generating displacements between houses and cities. These practices are embedded in an intense and widespread network of mutual witness, placing questions of class, race, aging, and gender, as well as the power of criminal groups, in the same web of relationships. The author argues that local relations and mutual witnessing act in this continuum that is city-making in connection with uncertainty and opacity.
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争夺住房和相互见证
本文反映了与巴西城市贫困人口流动和流离失所相关的危险,这种危险在2019冠状病毒病大流行期间加剧。作者描述了这样一个场景:带着小孩的黑人妇女向当地一个贩毒集团的领导层请求许可,进入位于里约热内卢市中心的纳尔逊·曼德拉占领区(Nelson Mandela Occupation)的空房间,这是住房纠纷中的常见做法。然而,入侵的逻辑突然发生了转变。单身男子居住的房间成为房屋和城市之间产生流离失所的争议的目标。这些做法根植于一个紧密而广泛的相互见证网络中,将阶级、种族、老龄化和性别问题,以及犯罪集团的权力,置于同一个关系网络中。作者认为,地方关系和相互见证在这个连续体中起作用,这是与不确定性和不透明性相关的城市建设。
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来源期刊
Public Culture
Public Culture Multiple-
CiteScore
2.10
自引率
6.70%
发文量
34
期刊介绍: Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.
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