A research on the use of metaphor design in promoting brand identity

Bahram Ipaki, Y. Movahedi, Parisa Jourabchi Amirkhizi
{"title":"A research on the use of metaphor design in promoting brand identity","authors":"Bahram Ipaki, Y. Movahedi, Parisa Jourabchi Amirkhizi","doi":"10.24867/JGED-2018-2-017","DOIUrl":null,"url":null,"abstract":"Companies need a corporate identity to have a good relationship with each other, so they seek a way to create a unique and durable sense to impress their customers (Wheeler, 2009). According to American Marketing Association, brand is a name, sign, symbol, design, or a combination of all of these (Keller, 2013). Brand use some elements as graphics, color, texture, voice, shape, symmetry, rhythm, and other gestalt and cognitive elements to be identified (Kevin Budelmann, 2010). A mixture of all these elements shapes the brand identity. From cognitive outlook, brand have a tangible fascination so can be touched, held, watched and even can be moved (Wheeler, 2009). Some product-oriented brands require good quality and reasonable price according to product’s usage time, so that they can communicate with their customer, user, or consumer (Heine, 2012). A corporation, company, or manufacturer should imply its principles in their products to engrave its brand identity on customer’s mind. A deep understanding of customer or user through signs and functions of brand which is now being attended by neuroscience, is one of these principles (Leslie de Chernatony, 2011; Maiocchi, 2015). Perceptual memory perceives sense respectively through visual, auditory, physical communication, and other communications (Robier, 2016). Figure 1 shows the amount of accuracy of information perceived by perceptual memory which is presented by the communication type. Bahram Ipaki Yazdan Movahedi Parisa Jourabchi Amirkhizi","PeriodicalId":16019,"journal":{"name":"Journal of graphic engineering and design","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of graphic engineering and design","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24867/JGED-2018-2-017","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Engineering","Score":null,"Total":0}
引用次数: 0

Abstract

Companies need a corporate identity to have a good relationship with each other, so they seek a way to create a unique and durable sense to impress their customers (Wheeler, 2009). According to American Marketing Association, brand is a name, sign, symbol, design, or a combination of all of these (Keller, 2013). Brand use some elements as graphics, color, texture, voice, shape, symmetry, rhythm, and other gestalt and cognitive elements to be identified (Kevin Budelmann, 2010). A mixture of all these elements shapes the brand identity. From cognitive outlook, brand have a tangible fascination so can be touched, held, watched and even can be moved (Wheeler, 2009). Some product-oriented brands require good quality and reasonable price according to product’s usage time, so that they can communicate with their customer, user, or consumer (Heine, 2012). A corporation, company, or manufacturer should imply its principles in their products to engrave its brand identity on customer’s mind. A deep understanding of customer or user through signs and functions of brand which is now being attended by neuroscience, is one of these principles (Leslie de Chernatony, 2011; Maiocchi, 2015). Perceptual memory perceives sense respectively through visual, auditory, physical communication, and other communications (Robier, 2016). Figure 1 shows the amount of accuracy of information perceived by perceptual memory which is presented by the communication type. Bahram Ipaki Yazdan Movahedi Parisa Jourabchi Amirkhizi
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
隐喻设计在提升品牌识别中的应用研究
公司需要一个企业身份来建立良好的关系,因此他们寻求一种创造独特和持久感的方式来打动客户(Wheeler,2009)。根据美国市场营销协会的说法,品牌是一个名称、标志、符号、设计,或所有这些的组合(Keller,2013)。品牌使用一些元素,如图形、颜色、纹理、声音、形状、对称性、节奏,以及其他需要识别的格式塔和认知元素(Kevin Budelmann,2010)。所有这些元素的混合塑造了品牌形象。从认知角度来看,品牌具有有形的魅力,因此可以被触摸、持有、观看,甚至可以被移动(Wheeler,2009)。一些以产品为导向的品牌根据产品的使用时间要求质量好、价格合理,以便与客户、用户或消费者进行沟通(Heine,2012)。企业、公司或制造商应在其产品中体现其原则,将其品牌标识刻在客户心中。通过品牌的标志和功能来深入了解客户或用户,这正是神经科学所关注的原则之一(Leslie de Chernatony,2011;Maiocchi,2015)。感知记忆分别通过视觉、听觉、身体交流和其他交流来感知感觉(Robier,2016)。图1显示了感知记忆感知的信息的准确性,这是由通信类型呈现的。Bahram Ipaki Yazdan Movahedi Parisa Jourabchi Amirkhizi
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Journal of graphic engineering and design
Journal of graphic engineering and design Engineering-Computational Mechanics
CiteScore
1.40
自引率
0.00%
发文量
16
审稿时长
10 weeks
期刊最新文献
QR code design: From digital graphics to environmental, product and fashion design Emotional design of traditional Chinese cultural creative products based on user demand Analysis of packaging design its colour coding and labelling of contained sugar in dairy and cereal products A new approach for effective productivity management of newspaper printing press Young interior designers’ creative pattern to draw potential consumers’ attention: Expectation, capital, and strategy
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1