{"title":"Memory Zero","authors":"Sean Smuda","doi":"10.1162/artm_a_00341","DOIUrl":null,"url":null,"abstract":"Abstract The repression of memory as a result of trauma from war and social divisions is often an experience that obscures or intensifies personal histories. This is especially true between generations. The Memory Zero project is an attempt to bridge this gap through drawn impressions from intergenerational family stories collaged with image and text searches to locate their approximate times and places. Together this creates, hopefully, a fuller historical and affective context. For this, I drew from family stories and histories in England and Poland before and after World War l. In this way the personal and historical approximations merge into their own continuum, greater than their parts.","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":"12 1","pages":"121-126"},"PeriodicalIF":0.2000,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARTMargins","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/artm_a_00341","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract The repression of memory as a result of trauma from war and social divisions is often an experience that obscures or intensifies personal histories. This is especially true between generations. The Memory Zero project is an attempt to bridge this gap through drawn impressions from intergenerational family stories collaged with image and text searches to locate their approximate times and places. Together this creates, hopefully, a fuller historical and affective context. For this, I drew from family stories and histories in England and Poland before and after World War l. In this way the personal and historical approximations merge into their own continuum, greater than their parts.
期刊介绍：
ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.
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