{"title":"Atmospheric Citizenship","authors":"P. Eisenlohr","doi":"10.1215/08992363-9262877","DOIUrl":null,"url":null,"abstract":"\n In Mumbai the sonic dimensions of place-making and religious life are deeply connected to the right to the city. For Twelver Shi‘i Muslims, who are marginal to both the city and the nation, public religious rituals and processions have long played very important roles in staging claims to the city. Investigating the sonic aspects of urban place-making, including its religious dimensions, this essay draws on an analytic of atmospheres in order to capture the powerful emotive dimensions of place-making through sonic performances. Through its coupling with the feltbody, the sonic plays a privileged role in giving urban locales a specific feel as belonging to particular groups, investing this feel with an air of facticity that is largely immune to discursive critique. This article focuses on ritual performances and processions among Twelver Shi‘i Muslims during the Islamic month of Muharram in order to analyze nondiscursive and atmospheric forms of citizenship.","PeriodicalId":47901,"journal":{"name":"Public Culture","volume":null,"pages":null},"PeriodicalIF":1.1000,"publicationDate":"2021-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Public Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1215/08992363-9262877","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
引用次数: 2
Abstract
In Mumbai the sonic dimensions of place-making and religious life are deeply connected to the right to the city. For Twelver Shi‘i Muslims, who are marginal to both the city and the nation, public religious rituals and processions have long played very important roles in staging claims to the city. Investigating the sonic aspects of urban place-making, including its religious dimensions, this essay draws on an analytic of atmospheres in order to capture the powerful emotive dimensions of place-making through sonic performances. Through its coupling with the feltbody, the sonic plays a privileged role in giving urban locales a specific feel as belonging to particular groups, investing this feel with an air of facticity that is largely immune to discursive critique. This article focuses on ritual performances and processions among Twelver Shi‘i Muslims during the Islamic month of Muharram in order to analyze nondiscursive and atmospheric forms of citizenship.
期刊介绍：
Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.
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