‘Réformez vos contrats!’: From the Marriage Contract to the Social Contract in Louise Dupin and Jean-Jacques Rousseau

IF 0.2 3区 历史学 Q2 HISTORY Early Modern French Studies Pub Date : 2021-01-02 DOI:10.1080/20563035.2021.1924010
R. Wilkin
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引用次数: 1

Abstract

I trace key arguments of Jean–Jacques Rousseau's political philosophy to Louise Dupin's Ouvrage sur les femmes to reveal that early modern feminist thought contributed directly to social contract theory. Rousseau applied Dupin's mockery of the marriage contract to dismiss as fraudulent the political contract that previous natural law philosophers had imagined between subjects and sovereign. He then made mutually exclusive property the foundation of the republican social contract, just as Dupin had stipulated separately owned property as the condition of equality in marriage. Yet Rousseau rejected the feminist content of Dupin's arguments, despite incorporating her strategies. Paradoxically, while Dupin, a monarchist, construed marriage along the egalitarian lines of a friendship based on ‘la douceur du commerce', the republican Rousseau invested men with the douceur of the absolute sovereign, masking the contractual character of marriage by positing women’s subordination to men as a matter of passionate attachment.
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“Réformez vos contrts!”:从杜平与卢梭的婚姻契约到社会契约
我将让-雅克·卢梭政治哲学的关键论点追溯到路易丝·杜平的《女人的故事》,以揭示早期现代女权主义思想对社会契约理论的直接贡献。卢梭运用杜宾对婚姻契约的嘲讽,将先前自然法哲学家想象的主体与君主之间的政治契约斥为欺诈。然后,他将相互排斥的财产作为共和国社会契约的基础,就像杜宾规定单独拥有的财产作为婚姻平等的条件一样。然而,卢梭拒绝接受杜宾论点中的女权主义内容,尽管纳入了她的策略。矛盾的是,当君主主义者杜平根据基于“商业的双重性”的友谊的平等主义路线来解释婚姻时,共和派卢梭却赋予男性绝对主权的双重性,通过将女性对男性的从属地位视为一种激情依恋,来掩盖婚姻的契约特征。
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
14
期刊介绍: Early Modern French Studies (formerly Seventeenth-Century French Studies) publishes high-quality, peer-reviewed, original articles in English and French on a broad range of literary, cultural, methodological, and theoretical topics relating to the study of early modern France. The journal has expanded its historical scope and now covers work on the sixteenth, seventeenth, and eighteenth centuries. Within this period of French literary and cultural history, the journal particularly welcomes work that relates to the term ''early modern'', as well as work that interrogates it. It continues to publish special issues devoted to particular topics (such as the highly successful 2014 special issue on the cultural history of fans) as well as individual submissions.
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