Contesting Women’s Right to Vote: Anti-Suffrage Postcards in Edwardian Britain

Q2 Arts and Humanities Visual Culture in Britain Pub Date : 2020-09-01 DOI:10.1080/14714787.2020.1827971
L. O’Hagan
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引用次数: 2

Abstract

This article uses multimodal critical discourse analysis to explore the messages promoted by anti-suffrage postcards produced in Britain between 1909 and 1914. It identifies five salient themes across the postcards (subversion of gender roles; physical ridicule of women; mental ridicule of women; violence towards women; and an imagined future), arguing that, despite their aim of presenting anti-suffragists as united in their objective of opposing women’s suffrage, they contained clear paradoxical messages. It concludes that the postcard campaign ultimately failed because of the power of militancy, mass opposition to the brutal treatment of suffragettes, and the outbreak of the First World War.
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争取妇女选举权:爱德华七世时代英国的反选举权明信片
本文运用多模态批评话语分析法,探讨1909年至1914年间英国制作的反选举明信片所宣扬的信息。它确定了明信片中的五个突出主题(颠覆性别角色;对女性的身体嘲笑;对女性精神上的嘲笑;对妇女的暴力;以及想象中的未来),认为尽管它们的目的是让反女权主义者在反对妇女选举权的目标上团结一致,但它们包含了明显的矛盾信息。它得出的结论是,明信片运动最终失败了,原因是战斗的力量、对女权运动残酷对待的大规模反对,以及第一次世界大战的爆发。
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来源期刊
Visual Culture in Britain
Visual Culture in Britain Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
发文量
1
期刊最新文献
John Carter FSA (1748–1817): A New Corpus of Drawings, and the Painted Chamber ‘Welcome to the North’: Public Art, Place-Marketing and the Northern Imaginary ‘Something useful in a National sense’: Percy Hennell’s Surgical and Nationalist Colour Photography, 1940–1948 Contesting Women’s Right to Vote: Anti-Suffrage Postcards in Edwardian Britain ‘Seeing-as’: The Modality of Looking in Bacon’s Portraiture
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