A Telepresence Stage: or how to create theatre in a pandemic – project report

P. Sermon, Steve Dixon, Sita Popat Taylor, Randall Packer, S. Gill
{"title":"A Telepresence Stage: or how to create theatre in a pandemic – project report","authors":"P. Sermon, Steve Dixon, Sita Popat Taylor, Randall Packer, S. Gill","doi":"10.1080/14794713.2021.2015562","DOIUrl":null,"url":null,"abstract":"ABSTRACT This report describes the authors’ research project ‘Telepresence Stage’, funded by the Arts and Humanities Research Council’s (AHRC) ‘COVID-19 Rapid Response’ scheme. The project aims to develop effective and affordable new approaches to connect performers from their separate homes and place them within virtual sets online where they can rehearse and perform together. The report discusses the history of telematic performance and explains how this research is using some of those established approaches to open up alternative possibilities for theatre and dance companies working in and beyond the current pandemic. To date, the project has shown how a range of telematic chromakey systems can be employed to bring a whole new level of creativity to videoconference-based performance work, freeing the performers’ bodies from the entrapment of Zoom boxes and co-locating them in specially designed 3D environments. Drawing on case studies from some of the project’s eight residencies with professional performance groups, the authors discuss how existing techniques have been adapted for different levels of experience, and how the project has offered new ways of working. Whilst the pandemic is expected to be a time-limited issue, these techniques hold value for performers and creators of theatre and dance well beyond ‘lockdown’.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.8000,"publicationDate":"2021-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Performance Arts and Digital Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14794713.2021.2015562","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 5

Abstract

ABSTRACT This report describes the authors’ research project ‘Telepresence Stage’, funded by the Arts and Humanities Research Council’s (AHRC) ‘COVID-19 Rapid Response’ scheme. The project aims to develop effective and affordable new approaches to connect performers from their separate homes and place them within virtual sets online where they can rehearse and perform together. The report discusses the history of telematic performance and explains how this research is using some of those established approaches to open up alternative possibilities for theatre and dance companies working in and beyond the current pandemic. To date, the project has shown how a range of telematic chromakey systems can be employed to bring a whole new level of creativity to videoconference-based performance work, freeing the performers’ bodies from the entrapment of Zoom boxes and co-locating them in specially designed 3D environments. Drawing on case studies from some of the project’s eight residencies with professional performance groups, the authors discuss how existing techniques have been adapted for different levels of experience, and how the project has offered new ways of working. Whilst the pandemic is expected to be a time-limited issue, these techniques hold value for performers and creators of theatre and dance well beyond ‘lockdown’.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
电视舞台:或如何在疫情中创建剧院——项目报告
摘要本报告介绍了作者的研究项目“电视舞台”,该项目由艺术与人文研究委员会(AHRC)的“新冠肺炎快速反应”计划资助。该项目旨在开发有效且负担得起的新方法,将来自不同家庭的表演者连接起来,并将他们安置在在线虚拟场景中,在那里他们可以一起排练和表演。该报告讨论了远程信息处理表演的历史,并解释了这项研究是如何利用一些既定的方法,为在当前疫情内外工作的剧院和舞蹈公司开辟替代可能性的。到目前为止,该项目已经展示了如何使用一系列远程信息处理镀铬系统,为基于视频会议的表演工作带来全新的创造力,将表演者的身体从Zoom盒子的束缚中解放出来,并将其放在专门设计的3D环境中。根据该项目八个驻地中一些驻地与专业表演团体的案例研究,作者讨论了现有技术如何适应不同水平的经验,以及该项目如何提供新的工作方式。虽然疫情预计将是一个有时间限制的问题,但这些技术对剧院和舞蹈的表演者和创作者来说具有价值,远远超过了“封锁”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
International Journal of Performance Arts and Digital Media
International Journal of Performance Arts and Digital Media Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.70
自引率
0.00%
发文量
29
期刊最新文献
Live performance in digital environments The Nāṭyaśāstra and virtual metatheatre Ambiguous devices as an example of a networked relational encounter Exploring the impact of machine learning on dance performance: a systematic review ‘Tele_Trust’ and ‘Touch My Touch’: co-creating social touch and trust experience through telematic platforms
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1