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Performance and posthumanism. Staging prototypes of composite bodies Performance and posthumanism. Staging prototypes of composite bodies edited by Christel Stalpaert, Kristof van Baarle and Laura Karreman, Switzerland: Palgrave Macmillan, 2021, 352 pp, £119.99 (hardcover), £95.50 (ebook), ISBN 97 表演与后人道主义。表演与后人道主义。由 Christel Stalpaert、Kristof van Baarle 和 Laura Karreman 编辑,瑞士:帕尔格雷夫-麦克米伦,2021 年,352 页,119.99 英镑(精装),95.50 英镑(电子书),ISBN 97
0 THEATER Pub Date : 2023-12-18 DOI: 10.1080/14794713.2023.2291597
Anna Makrzanowska
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引用次数: 0
Toward a future theatre: conversations during a pandemic Toward a future theatre: conversations during a pandemic , by Caridad Svich, London, Bloomsbury Publishing PLC, 2021, 256 pp., £65.00 (hardback), £19.99 (paperback), £11.69 (ebook), ISBN: 9781350241060, 1350241067 走向未来剧院:大流行病期间的对话》,Caridad Svich 著,伦敦,Bloomsbury Publishing PLC,2021 年,256 页,65.00 英镑(精装本),19.99 英镑(平装本),11.69 英镑(电子书),ISBN:9781350241060、1350241067
0 THEATER Pub Date : 2023-12-13 DOI: 10.1080/14794713.2023.2291598
Bianca Mastrominico
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引用次数: 0
Urban sensographies Urban sensographies , edited by Nicolas Whybrow, London and New York, Routledge, 2021, 214 pp., £120.00 (hardback), £36.99 (paperback), £36.99 (ebook). ISBN: 9780367406714 城市感官图谱》(Urban sensographies),尼古拉斯-怀博罗(Nicolas Whybrow)编辑,伦敦和纽约,Routledge 出版社,2021 年,214 页,120.00 英镑(精装本),36.99 英镑(平装本),36.99 英镑(电子书)。ISBN: 9780367406714
0 THEATER Pub Date : 2023-12-12 DOI: 10.1080/14794713.2023.2291599
William W. Lewis
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引用次数: 0
The transformation of design platform under system thinking 系统思维下设计平台的转型
0 THEATER Pub Date : 2023-10-24 DOI: 10.1080/14794713.2023.2271820
Sheng-Hung Lee, Olivier L. de Weck, Maria C. Yang, Joseph F. Coughlin
This study examines the organizational transformation of digital design platforms (DDPs) to present the considerations of DDPs’ value propositions, service offering, and sustainable business models. When we face large, complex, systemic transformational challenges, especially during the pandemic, we must make meaningful changes to a DDP to rise to these social-technological challenges internally and externally to generate positive social impacts and create value for design individuals and communities. Due to COVID-19, people’s daily lives, interactions, and work experiences, and communication patterns dramatically changed, which significantly influenced organizations across scales and industries. DDPs have also been hit by the social-technological impact of COVID-19. We conducted seven semi-structured expert interviews and demonstrated ten case studies across three categories: design competitions, design professional associations, and design companies about DDP transformation associated with COVID-19 through the lens of system engineering. The goal is to analyze organizational change and its impacts on a DDP’s service offering, business model, and organizational culture, in an effort to better prepare new capabilities in the era of social-technological transformation. We identified four key takeaways: (1) craft new partnership connections; (2) identify criteria for transformation; (3) create and extend participants’ engagement level, and (4) leverage collective talents and sources.
本研究考察了数字设计平台(ddp)的组织转型,提出了ddp的价值主张、服务提供和可持续商业模式的考虑因素。当我们面临巨大、复杂、系统性的转型挑战时,特别是在大流行期间,我们必须对DDP进行有意义的改革,以应对内部和外部的这些社会技术挑战,产生积极的社会影响,为设计人员和社区创造价值。由于新冠肺炎疫情,人们的日常生活、互动、工作经历和沟通模式发生了巨大变化,这对各个规模和行业的组织都产生了重大影响。ddp也受到了COVID-19的社会技术影响。我们进行了七次半结构化的专家访谈,并通过系统工程的视角展示了三个类别(设计竞赛、设计专业协会和设计公司)中与COVID-19相关的DDP转型的十个案例研究。目标是分析组织变化及其对DDP的服务提供、业务模型和组织文化的影响,以便在社会技术转型时代更好地准备新的能力。我们确定了四个关键要点:(1)建立新的合作关系;(2)确定改造标准;(3)创造和扩大参与者的参与水平;(4)利用集体人才和资源。
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引用次数: 0
Telematic performance enforced by the pandemic: neuroknitting beethoven 流行病迫使远程信息处理:神经编织贝多芬
0 THEATER Pub Date : 2023-10-24 DOI: 10.1080/14794713.2023.2270790
Varvara Guljajeva, Mar Canet Sola, Iurii Kuzmin
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引用次数: 0
The ‘Bichi’ project metabolic pathways, biological food chains, and global networks “Bichi”项目的代谢途径、生物食物链和全球网络
0 THEATER Pub Date : 2023-09-28 DOI: 10.1080/14794713.2023.2254206
Pat Badani
ABSTRACTPat Badani discusses how digital media and the use of food serve to design speculative new edibles in times when the future of food is jeopardized by the anthropogenically induced change in climate that causes biodiversity loss and food chain disruptions. Fertilized by different streams of thought related to food availability, Bichi is a practice-as-research project highlighting the need for ecological balance to secure the future of food. The artist examines the connecting threads between human and more-than-human nutrimental systems through projects that are born in her kitchen and further developed through computer technology. In the manner of culinary chefs whose professional kitchens act as design studios and manufacturing plants that innovate and transform ingredients; Badani’s kitchen is the springboard for DIY science in the creation of discreet sustenance networks between bio-sculpture material, mold, and fungi, leading to the design of evocative ‘animal-human-vegetal-polygender’ 3D simulations positioned between the organic and the computational. Exposing the porousness of boundaries between what might appear as separate registers: subject/object, fact/fiction, and science/culture, these electronically re-engineered bio-sculptures contribute knowledge essential to assure the resilience of nutritional systems, underscoring the need to channel efforts towards adaptation and balanced coexistence.KEYWORDS: Digital mediafuture of foodclimate changespeculative visual fictionspractice-as-research Additional informationNotes on contributorsPat BadaniPat Badani draws from the fields of art, science, and technology to explore the intersectionality of environmental and social justice issues. She often uses food to create artistic arguments that blend aesthetics and criticism, charting connections between theories related to art as object, as medium, and art as critique of political and technological networks. Badani exhibits and discusses projects broadly in North and South America, Europe, and Asia and has participated in international symposia with her essays and talks in over 15 countries including at the Institute of Cultural Studies ZHdK Zurich (Switzerland); iDAT Plymouth University (U.K.); Art/Sci Center + Lab, UCLA (USA); NYU Steinhardt School of Culture, N.Y. (USA); Kungl. Konsthögskolan/KKH, (Sweden); Università di Bologna (Italy); Universidad de Caldas, (Colombia); and Universidade Anhembi Morumbi (Brazil). Projects have been distinguished with over 20 awards and commissions by the Canada Council for the Arts; Illinois Arts Council; DCASE; National Endowment for the Arts @ MacDowell, the Robert Heinecken Trust; and recognized with nominations by Creative Capital, Art Matters, and AWAW, in the U.S.A.
【摘要】帕特·巴达尼(pat Badani)讨论了在人为引起的气候变化导致生物多样性丧失和食物链中断,未来的食物受到威胁之际,数字媒体和食物的使用如何设计投机性的新食物。Bichi是一个实践与研究相结合的项目,融合了与食物供应相关的不同思想,强调了生态平衡的必要性,以确保未来的食物。艺术家通过在厨房中诞生并通过计算机技术进一步发展的项目,审视了人类和超越人类的营养系统之间的联系。以烹饪厨师的方式,他们的专业厨房充当设计工作室和制造工厂,创新和转化原料;Badani的厨房是DIY科学的跳板,在生物雕塑材料、霉菌和真菌之间创建了谨慎的维持网络,从而设计了令人回味的“动物-人类-植物-多性别”3D模拟,定位在有机和计算之间。这些电子重新设计的生物雕塑揭示了主体/客体、事实/虚构和科学/文化之间可能出现的独立记录之间的边界的多孔性,为确保营养系统的弹性提供了必要的知识,强调了为适应和平衡共存而努力的必要性。关键词:数字媒体,食品,未来,气候变化,推测性视觉小说,作为研究的实践,附加信息,作者说明:巴特·巴达尼(patani Badani)从艺术,科学和技术领域探索环境和社会正义问题的交叉性。她经常用食物来创造融合美学和批评的艺术论点,描绘出艺术作为对象、媒介和艺术作为政治和技术网络批判的理论之间的联系。Badani在北美、南美、欧洲和亚洲广泛展出和讨论项目,并参加了超过15个国家的国际研讨会,其中包括苏黎世ZHdK文化研究所(瑞士);英国普利茅斯大学;美国加州大学洛杉矶分校艺术/科学中心+实验室;纽约大学斯坦哈特文化学院(美国);Kungl。Konsthogskolan /喀喇昆仑公路,(瑞典);博洛尼亚大学(意大利);卡尔达斯大学(哥伦比亚);以及Anhembi Morumbi大学(巴西)。项目已获得加拿大艺术委员会颁发的20多个奖项和委托;伊利诺伊州艺术委员会;DCASE;麦克道尔国家艺术基金会、罗伯特·海内肯信托基金;并获得了美国Creative Capital、Art Matters和AWAW的提名
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引用次数: 0
A surviving camera: reorganized choreographies for the long mode of change 一个幸存的相机:重新编排的舞蹈为长期模式的变化
0 THEATER Pub Date : 2023-09-06 DOI: 10.1080/14794713.2023.2254024
Marjana Krajac
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引用次数: 0
Naked data: curating Wikidata as an artistic medium to interpret prehistoric figurines 赤裸裸的数据:策划维基数据作为一种艺术媒介来解释史前雕像
0 THEATER Pub Date : 2023-09-04 DOI: 10.1080/14794713.2023.2253335
Toni Sant, Enrique Tabone
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引用次数: 0
Frequencies of gesture: archiving and re-embodying kinesthetic traces through technical inscription into sound and image 手势的频率:通过声音和图像的技术铭文来存档和重新体现动觉痕迹
0 THEATER Pub Date : 2023-08-08 DOI: 10.1080/14794713.2023.2242066
Andrea Giomi
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引用次数: 0
Home-specific performance and the digital staging of the domestic in Flanker Origami “侧卫折纸”的家庭特色表演和家庭数字舞台
0 THEATER Pub Date : 2023-07-31 DOI: 10.1080/14794713.2023.2239693
Bianca Mastrominico
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引用次数: 0
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International Journal of Performance Arts and Digital Media
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