World Literature in the World?

IF 0.4 0 LITERATURE Journal of World Literature Pub Date : 2021-10-04 DOI:10.1163/24056480-20210009
Maya Aghasi
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Abstract

Criticized for being too Euro- and Americentric, world literature scholarship tends to center on the American implications of this shortcoming, with little discussion of world literature beyond these centers. This paper thus addresses the function of world literature beyond these centers, particularly in the lingua franca of global business: English. Drawing from my experience in the United Arab Emirates, I argue that because students in the region come from places with fraught colonial histories, migrant, Anglophone literature is critical in the world literature classroom because it allows them to see their own experiences articulated in the global literary vernacular. Using Mohja Kahf’s The Girl in the Tangerine Scarf as an example, I show how its transnational scope addresses both the hegemonic, Euro-American gaze, but also the students’. Thus, Anglophone literature is not necessarily the extension of an imperialist project or a flattening of differences; rather, it becomes an articulation of them.
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世界文学?
由于被批评过于以欧洲和美国为中心,世界文学学术往往集中在这一缺陷对美国的影响上,很少讨论这些中心之外的世界文学。因此,本文探讨了世界文学在这些中心之外的功能,特别是在全球商业的通用语:英语中。根据我在阿拉伯联合酋长国的经历,我认为,由于该地区的学生来自有着令人担忧的殖民历史的地方,移民英语文学在世界文学课堂上至关重要,因为它让他们能够看到自己在全球文学白话文中表达的经历。以莫哈·卡夫的《橘子围巾里的女孩》为例,我展示了它的跨国范围是如何既应对霸权、欧美凝视,又应对学生凝视的。因此,英语文学不一定是帝国主义计划的延伸,也不一定是差异的扁平化;相反,它变成了它们的一种表达。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of World Literature
Journal of World Literature Arts and Humanities-Literature and Literary Theory
CiteScore
1.90
自引率
50.00%
发文量
23
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