More Than Just a Memory

IF 0.7 Q3 COMMUNICATION Feminist Media Histories Pub Date : 2023-01-01 DOI:10.1525/fmh.2023.9.1.123
W. Sung
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引用次数: 0

Abstract

This article examines American Artist’s installation “Sandy Speaks,” a chatbot inspired by Sandra Bland’s media activism, as an analytical connective point to pathways of Black technological critique and histories of Black digitality and care. First connecting the work to its predigital antecedent The Negro Green Book, the article then argues that the typical aspirations of chatbot to approximate the human is disavowed in “Sandy Speaks,” enacting a Black technological critique of the human itself. Moreover, departing from celebratory discourses of Black technological innovation, the chatbot's low AI instantiates what the author calls a politics of technological refusal—a praxis of deliberate technological limitation as critique. This article asks what might happen when we seek potentialities of Black praxis in the slow, broken, old, technological forms, not as remedy, but as theory, critique, and an undoing of the recuperation of technological innovation as most legible mode of recognition.
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不仅仅是记忆
这篇文章探讨了美国艺术家的装置作品“Sandy Speaks”,这是一个受Sandra Bland媒体激进主义启发的聊天机器人,作为黑人技术批判路径和黑人数字化和护理历史的分析连接点。文章首先将这部作品与其数字化前的前身《黑人绿皮书》联系起来,然后认为聊天机器人接近人类的典型愿望在《Sandy Speaks》中被否定,对人类本身进行了黑人技术批判。此外,与黑人技术创新的庆祝话语不同,聊天机器人的低人工智能体现了作者所说的技术拒绝政治——一种蓄意技术限制作为批判的实践。这篇文章问,当我们在缓慢、破碎、陈旧的技术形式中寻找黑人实践的潜力时,可能会发生什么,而不是作为补救,而是作为理论、批判,以及作为最清晰的识别模式的技术创新的恢复的撤销。
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来源期刊
Feminist Media Histories
Feminist Media Histories Arts and Humanities-History
CiteScore
0.70
自引率
0.00%
发文量
18
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