Editorship and History Making: On Historicizing Modern Editions of Tiruniḻalmāla

Q2 Arts and Humanities Cracow Indological Studies Pub Date : 2021-09-30 DOI:10.12797/cis.23.2021.01.01
Cezary Galewicz
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引用次数: 2

Abstract

In the following essay I am going to comment briefly on the intersection between literary and performative genres that originated in early modern Kerala and to some extent continue till date. More specifically, on their relationship with the rich tradition of representing the past through producing works that follow recognizable patterns of composition and conventions of presentation. This more general consideration shall appear here as a backdrop to a study on contemporary editions of an early Malayalam work named Tiruniḻalmāla. The editions follow the relatively recent discovery of the work in question and its subsequent reinstatement in the history of Malayalam literature. I shall argue that the specific ways this reinstatement was presented by the editors, including a particular place they claimed for this work within the formation processes of Malayalam literature, constitute competing acts of general history writing concerned with the ongoing debate on how should the cultural identity and regional history of Kerala be best represented.
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编辑与历史建构:论《Tiruniḻalmāla》现代版本的历史化
在下一篇文章中,我将简要地评论文学和表演流派之间的交集,这些流派起源于早期现代喀拉拉邦,并在某种程度上持续到今天。更具体地说,他们与通过生产遵循可识别的构图模式和呈现惯例的作品来表现过去的丰富传统的关系。这种更普遍的考虑将在这里出现,作为研究早期马拉雅拉姆作品Tiruniḻalmāla的当代版本的背景。这些版本是根据最近发现的有问题的作品以及随后在马拉雅拉姆文学史上的恢复而出版的。我认为,编辑们呈现这种恢复的具体方式,包括他们在马拉雅拉姆文学形成过程中声称的这个作品的特定位置,构成了与正在进行的关于如何最好地代表喀拉拉邦的文化身份和地区历史的辩论有关的一般历史写作的竞争行为。
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来源期刊
Cracow Indological Studies
Cracow Indological Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
9
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