Los de abajo. Mitificación y metalepsis

IF 0.1 0 LITERATURE, ROMANCE Literatura Mexicana Pub Date : 2021-08-31 DOI:10.19130/iifl.litmex.2021.32.2.29152
Noé Blancas Blancas
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Abstract

The study of narrative resources such as free indirect discourse and narrated monologue, in Los de abajo, although it has been clearly pointed out by critics such as Mansour, Escalante and St. Ours, is scarce in comparison with the works on the Mexican Revolution and the controversy over the ideological position of its author, Mariano Azuela. In the present work, an approach to these resources is made, following the precepts of narratology, starting from the relationship between the narrative voice and the figural discourse, and between the discourses of the characters; that is, from the citation processes. Specifically, an approach is made to the way in which Demetrio Macías recounts his exploits by repeating the speech of Alberto Solís, shaped, in turn, by other anonymous speeches. The relevance of self-narrating in this way is such that it implies a radical change in the personality and destiny of Demetrio Macías.
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下面的人。神话化和metalepsis
尽管曼苏尔、埃斯卡兰特和圣·欧尔斯等评论家已经明确指出,但与墨西哥革命及其作者马里亚诺·阿苏埃拉的意识形态立场争议相比,对《洛斯巴霍》中自由间接话语和叙事独白等叙事资源的研究是少有的。在这部作品中,我们遵循叙事学的原则,从叙事声音与形象话语之间以及人物话语之间的关系入手,对这些资源进行了探讨;也就是说,来自引文过程。具体来说,Demetrio Macías通过重复Alberto Solís的演讲来讲述自己的功绩,这反过来又受到了其他匿名演讲的影响。以这种方式进行自我叙述的相关性意味着德米特里奥·马西亚斯的个性和命运发生了根本性的变化。
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Literatura Mexicana
Literatura Mexicana LITERATURE, ROMANCE-
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