Improbable Grief: Mavrikakis' Onomastic Practices of Memorialization

IF 0.1 4区 文学 0 LITERATURE, ROMANCE FRENCH FORUM Pub Date : 2020-09-11 DOI:10.1353/frf.2020.0004
J. Robert
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Abstract

Abstract:Names and numbers, mostly in the form of statistics, each play a role in the memorialization of collective tragedies. Names have nonetheless been privileged as that which humanizes the experience and subsumes affectless questions of scale to the personal. Writing at a time when AIDS was transitioning from a fatal epidemic to a chronic disease, Catherine Mavrikakis uses a fictocritical approach in Deuils cannibales et mélancoliques (2000) to relay for readers the receding experience of AIDS as an epidemic. A singular name, Hervé, an intertextual reference to the work of Hervé Guibert and Mavrikakis' own scholarship on Guibert's AIDS writings, functions as an indexical sign. Through repetition and conferral upon multiple (mostly HIV-positive) characters, Hervé – as name – becomes the metonymic means by which the coldness of numbers and the weight of mass tragedy are made appreciable, for the name acquires new semantic meaning through disassociation with individual characters. Breaking with conventions of naming and characterisation, Mavrikakis' complex and confusing text challenges readers to make sense of the interplay of names and numbers, individuals and groups, in memorial practices for what has become an endemic tragedy.
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不可能的悲伤:马夫里卡基斯记忆的本体论实践
摘要:名字和数字,大多以统计的形式,在纪念集体悲剧中都发挥着作用。尽管如此,名字还是享有特权,因为它使体验人性化,并将毫无影响的规模问题纳入个人问题。Catherine Mavrikakis在《Deuils cannibales et mélancoliques》(2000)中使用了一种虚构的方法,向读者传达了艾滋病作为一种流行病正在消退的经历。Hervé是一个单数名称,是对HervéGuibert的作品和Mavrikakis自己关于Guibert艾滋病著作的学术研究的互文参考,起到了索引符号的作用。通过对多个(大多数是HIV阳性)角色的重复和赋予,Hervé——作为名字——成为了一种转喻手段,因为名字通过与单个字符的脱离而获得了新的语义。Mavrikakis复杂而令人困惑的文本打破了命名和人物描述的惯例,挑战读者在纪念这场已经成为地方性悲剧的实践中理解名字和数字、个人和群体的相互作用。
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来源期刊
FRENCH FORUM
FRENCH FORUM LITERATURE, ROMANCE-
自引率
0.00%
发文量
16
期刊介绍: French Forum is a journal of French and Francophone literature and film. It publishes articles in English and French on all periods and genres in both disciplines and welcomes a multiplicity of approaches. Founded by Virginia and Raymond La Charité, French Forum is produced by the French section of the Department of Romance Languages at the University of Pennsylvania. All articles are peer reviewed by an editorial committee of external readers. The journal has a book review section, which highlights a selection of important new publications in the field.
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