PUISI INDONESIA ABAD KE-5: KAJIAN STRUKTURAL DAN SOSIOLOGI SASTRA TEKS YŪPA MUARAKAMAN

Indra Sarathan, Widyo Nugrahanto, Randy Ridwansyah
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Abstract

The history of modern Indonesian poetry often begins in the 1920s. The first modern Indonesian poem refers to the poem “Tanah Air”/ ‘Motherland’ by Muhammad Yamin. The canonization of M. Yamin (1903-1962) as one of pillar modern Indonesian poetry was known from the contribution of A. Teeuw (1921-2012). And, the results of his research on Indonesian poetry continue to resonate in the spaces of literary and language education to this day (2018). However, there is still little attention that explains the process of transformation from old poetry (mantra, pantun, karmina, seloka, gurindam, syair, etc.) to modern Indonesian poetry. The data only explained the milestones of modern Indonesian poetry starting in the 1920s. Even though the history of world literature dived until the time Before Century in his explanation of the history of poetry. Such as the Gilgamesh epic written on the 3rd century BC stone remains of the Sumerians in Mesopatami or the Beawulf long poem derived from oral literature as the beginning of the history of Anglo-Saxon (ancient English) poetry of the 8th century CE. Referring to the not strict definition of poetry, this paper will review the oldest text of the inscription in the Indonesia archipelago (5th century AD) as a form of old poetry by examining the structure and typology, as well as the social history of Indonesian ancient people that produced the inscription text in viewpoints sociology of literature. Thus, the results of this study are also expected to offer an alternative historiography of the history of Indonesian poetry.
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印尼阿巴德EC-5的发布:穆亚拉卡门的结构警告和社会SASTRA文本
印尼现代诗歌的历史往往始于20世纪20年代。第一首现代印尼诗歌是指穆罕默德·亚明的诗歌《Tanah Air》/《祖国》。亚明(1903-1962)被尊为印尼现代诗歌的支柱之一,是从阿提乌(1921-2012)的贡献中得知的。而且,直到今天(2018年),他对印尼诗歌的研究结果仍在文学和语言教育领域引起共鸣。然而,关于从旧诗歌(咒语、潘顿、卡尔米纳、塞洛卡、古林丹、叙艾尔等)向现代印尼诗歌转变的过程,仍然很少有人关注。这些数据只是解释了20世纪20年代开始的印尼现代诗歌的里程碑。尽管世界文学史在他对诗歌史的解释中一直延续到世纪以前。如公元前3世纪写在Mesopatami苏美尔人石碑上的吉尔伽美什史诗,或源自口头文学的比武尔夫长诗,作为公元8世纪盎格鲁撒克逊(古英语)诗歌史的开端。鉴于对诗歌的定义并不严格,本文将从文学社会学的角度,通过对印度尼西亚群岛最古老的铭文文本(公元5世纪)的结构和类型学,以及产生铭文文本的印度尼西亚古代人的社会史的考察,来回顾作为一种古老诗歌形式的铭文文本。因此,本研究的结果也有望为印尼诗歌史提供一种替代史学。
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