Visual Representations to Stimulate New Musicking Strategies in Live Coding

IF 0.2 3区 艺术学 0 MUSIC Organised Sound Pub Date : 2023-08-22 DOI:10.1017/s1355771823000389
Raul Masu, Francesco Ardan Dal Rì
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Abstract

In live coding, the code can be considered as an archetypal form of score that notates formal processes. We aimed at investigating the possibility of using graphic visuals as a complementary form of descriptive score by visualising sound events using different time representations. To this end, we devised two visualisation systems (Time_X and Time_Z). Time_X represents time along the x-axis, while in Time_Z the objects overlap along an imaginary z-axis. Based on our previous personal experience with the system, such forms of visual scores can help to develop new musicking strategies while live coding. In this article, we wanted to broaden such reflections, and we used them as probes in a study with three live coders. After tailoring the two systems to the usual practice of the three participants, we asked them to use the systems for three weeks and keep a diary. At the end, we interviewed them. Based on their comments, we present some reflections on the use of graphic forms of visualisation in live coding, on how they can support musicking process, and to what extent such visuals can be considered scores.
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视觉表现在现场编码中激发新的音乐策略
在实时编码中,代码可以被视为标记正式过程的分数的原型形式。我们的目的是通过使用不同的时间表征可视化声音事件,研究使用图形视觉作为描述性评分的补充形式的可能性。为此,我们设计了两个可视化系统(Time_X和Time_Z)。Time_X表示沿x轴的时间,而在Time_Z中,对象沿假想的z轴重叠。根据我们之前使用该系统的个人经验,这种形式的视觉评分可以帮助在现场编码时开发新的音乐策略。在这篇文章中,我们想要扩展这样的思考,并且我们将它们作为探针与三个编程人员一起进行研究。在将这两个系统调整到三位参与者的日常实践之后,我们要求他们使用这两个系统三周并记日记。最后,我们采访了他们。基于他们的评论,我们提出了一些关于在现场编码中使用图形形式的可视化的思考,关于它们如何支持音乐过程,以及这些视觉效果在多大程度上可以被视为分数。
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来源期刊
CiteScore
1.20
自引率
16.70%
发文量
38
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