Kings, Queens, Monsters, and Things: Digital Drag Performance and Queer Moves in Artificial Intelligence (AI)

IF 0.3 2区 艺术学 0 THEATER CONTEMPORARY THEATRE REVIEW Pub Date : 2023-04-03 DOI:10.1080/10486801.2023.2173592
J. Parslow
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引用次数: 0

Abstract

Abstract The Zizi Project is a series of connected art and performance pieces created by artist Jake Elwes in collaboration with Me The Drag Queen and members of London’s drag performance scene. The works – currently Zizi: Queering the Dataset (2019), Zizi & Me (2020; ongoing), and The Zizi Show (2020) – sit at the intersection of drag performance and Artificial Intelligence (AI), playing with and queering facial recognition software, deepfake technologies, and Machine Learning algorithms. I consider The Zizi Project as an example of work at the vanguard of an emergent field of queer AI performance. The project intervenes in complex conversations surrounding AI and Machine Learning, including the lack of representation of diverse identities and communities in datasets used to train these systems and the complexity of creating datasets which include queer and trans bodies and identities. However, in aiming to use drag performance to expose and demystify these complex technological systems to audiences, I propose that queerer forms of art making and performance emerge that push at the boundaries of both drag and the technologies used. Ultimately, The Zizi Project articulates drag and queer futures where the digital and the actual interact in increasingly complex ways to explore notions of diversity, inclusion, and access that speak to fundamental questions of what counts as drag, what counts as queer, and, indeed, what count as human.
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国王、皇后、怪物和事物:人工智能(AI)中的数字变装表演和奇怪动作
摘要Zizi Project是艺术家Jake Elwes与Me The Drag Queen和伦敦变装表演现场的成员合作创作的一系列相互关联的艺术和表演作品。这些作品——目前是《Zizi:Queering The Dataset》(2019)、《Zizi&Me》(2020;正在进行中)和《Zizi Show》(2020)——位于拖拽性能和人工智能(AI)的交叉点,与面部识别软件、深度伪造技术和机器学习算法打交道。我认为《自在计划》是酷儿人工智能表演这一新兴领域的先锋作品。该项目介入了围绕人工智能和机器学习的复杂对话,包括在用于训练这些系统的数据集中缺乏对不同身份和社区的表示,以及创建包括酷儿、跨性别身体和身份在内的数据集的复杂性。然而,为了利用变装表演向观众展示和揭开这些复杂技术系统的神秘面纱,我建议出现更奇特的艺术制作和表演形式,突破变装和所用技术的界限。最终,Zizi项目阐明了变装和酷儿的未来,数字和现实以越来越复杂的方式互动,探索多样性、包容性和访问的概念,这些概念涉及什么是变装、什么是酷儿,以及什么是人类的基本问题。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
21
期刊介绍: Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.
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