Pub Date : 2024-08-05DOI: 10.1080/10486801.2024.2334863
Emma Welton
Burgerz, first staged in 2018, is a one-person show by British theatre-maker and writer Travis Alabanza. The production re-enacts an incident of transphobic violence Alabanza faced in 2016, during ...
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Pub Date : 2024-08-05DOI: 10.1080/10486801.2024.2334250
Naphtaly Shem-Tov
Didactic theatre for a young audience (TYA) is perceived as a widespread obstacle to the artistic quality and value of TYA. This article rethinks and deconstructs the assumptions that didactic TYA ...
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Pub Date : 2024-08-05DOI: 10.1080/10486801.2024.2334245
Melanie Kloetzel
As viral contagions, pandemic lockdowns and technological innovations transform daily routines, the relationship between art and public space changes as well. Through a long-term investigative and ...
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Pub Date : 2024-08-05DOI: 10.1080/10486801.2024.2334576
Jenny Hughes
Published in Contemporary Theatre Review (Vol. 34, No. 2, 2024)
发表于《当代戏剧评论》（第 34 卷第 2 期，2024 年）
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Pub Date : 2024-07-22DOI: 10.1080/10486801.2024.2321759
Tom Gutteridge
Published in Contemporary Theatre Review (Vol. 34, No. 1, 2024)
发表于《当代戏剧评论》（第 34 卷第 1 期，2024 年）
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Pub Date : 2024-07-22DOI: 10.1080/10486801.2024.2320525
Emma Cole, Chris Hay
Published in Contemporary Theatre Review (Vol. 34, No. 1, 2024)
发表于《当代戏剧评论》（第 34 卷第 1 期，2024 年）
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Pub Date : 2024-07-22DOI: 10.1080/10486801.2024.2315930
Margaret Hamilton
Australian theatre director Simon Stone has emerged as a major presence on the European stage since the International Ibsen Festival presented his The Wild Duck ‘after Ibsen’, co-written with Chris...
澳大利亚戏剧导演西蒙-斯通（Simon Stone）自国际易卜生戏剧节（International Ibsen Festival）推出他与克里斯-易卜生（Chris Ibsen）共同创作的 "易卜生之后的野鸭子"（The Wild Duck after Ibsen）以来，已在欧洲舞台上崭露头角。
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Pub Date : 2024-07-22DOI: 10.1080/10486801.2024.2321752
Tom Gutteridge
Simon Stone has emerged as one of the most influential theatre and opera directors in the world. This transcript of a face-to-face interview in 2013 - soon after his adaptation of Ibsen’s Wild Duck...
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Pub Date : 2024-07-22DOI: 10.1080/10486801.2024.2316806
Brangwen Stone
Translation (and rewriting) has been central to Simon Stone’s artistic practice since his first major directing success, an adaptation of the play Frühlings Erwachen (Spring Awakening) by the Germa...
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Pub Date : 2024-07-22DOI: 10.1080/10486801.2024.2316805
Melissa Lin Sturges
Simon Stone’s adaptation of Yerma, after Lorca, which premiered at the Young Vic in London 2017, reconsiders Yerma as an anonymous twenty-first-century woman known only as HER. Using Lorca’s play, ...
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