{"title":"CRITICIZING THE BUGIS ISLAMIC SCRIPT, PAU-PAU RIKADONNA I DARAMATASIA FROM SIRIQ NA PESSÉ PERSPECTIVE","authors":"M. Mustari","doi":"10.22515/islimus.v6i1.4345","DOIUrl":null,"url":null,"abstract":"Pau-Pau Rikadonna I Daramatasia (PRID) is a very popular story and has an important position in the lives of Bugis people in South Sulawesi as well as in other region. In the script form, the story has three versions: Bone, Barru, and Pangkep. Not only being written in script form, the story is also staged in short films, picture stories, dances, and others. This article aims to understand the meaning for the Bugis' collective awareness of PRID stories. To reveal the meaning, Bone version of PRID will be used with considering the whole story. Bone's PRID is also unique because it has some additions of episodes at the beginning and at the end of the story that become the focus of this article analysis. In understanding the meaning contained in the PRID, Levi Strauss's theory of structuralism will be used by building binary opposition to the depth structure of the text. Based on the analysis conducted, the addition of episodes contained in the PRID version of Bone is closely related to the cultural value of siriq na pesse (honor and solidarity) which is opposing sharia values. This can be interpreted as an effort by the Bugis to reconcile the two values so that PRID is well thanked and appreciated until now as can be seen in Youtube contents.","PeriodicalId":56239,"journal":{"name":"Indonesian Journal of Islamic Literature and Muslim Society","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Indonesian Journal of Islamic Literature and Muslim Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22515/islimus.v6i1.4345","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Pau-Pau Rikadonna I Daramatasia (PRID) is a very popular story and has an important position in the lives of Bugis people in South Sulawesi as well as in other region. In the script form, the story has three versions: Bone, Barru, and Pangkep. Not only being written in script form, the story is also staged in short films, picture stories, dances, and others. This article aims to understand the meaning for the Bugis' collective awareness of PRID stories. To reveal the meaning, Bone version of PRID will be used with considering the whole story. Bone's PRID is also unique because it has some additions of episodes at the beginning and at the end of the story that become the focus of this article analysis. In understanding the meaning contained in the PRID, Levi Strauss's theory of structuralism will be used by building binary opposition to the depth structure of the text. Based on the analysis conducted, the addition of episodes contained in the PRID version of Bone is closely related to the cultural value of siriq na pesse (honor and solidarity) which is opposing sharia values. This can be interpreted as an effort by the Bugis to reconcile the two values so that PRID is well thanked and appreciated until now as can be seen in Youtube contents.
Pau Pau Rikadonna I Daramatasia(PRID)是一个非常受欢迎的故事,在南苏拉威西和其他地区的布吉斯人的生活中占有重要地位。在剧本形式上,这个故事有三个版本:Bone、Barru和Pangkep。这个故事不仅以剧本的形式写成,还以短片、图画故事、舞蹈等形式上演。本文旨在理解布吉人集体意识到PRID故事的意义。为了揭示意义,Bone版本的PRID将结合整个故事来使用。Bone的PRID也是独一无二的,因为它在故事的开头和结尾都增加了一些情节,成为本文分析的重点。在理解PRID所包含的意义时,李维·斯特劳斯的结构主义理论将被用来构建对文本深度结构的二元对立。根据所进行的分析,PRID版本的《骨头》中所包含的情节的增加与反对伊斯兰教法价值观的siriq na pesse(荣誉和团结)的文化价值密切相关。这可以被解释为Bugis努力调和这两个价值观,以便PRID在Youtube内容中得到充分的感谢和赞赏。