Mobilizing the undead: Zombie films and the discourse of otherness from the 1930s to post-millennial cinema

Florian Krautkrämer
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Abstract

ABSTRACT The figure of the zombie has undergone constant change in film history. From the Haitian zombie of the 1930s, related to the Atlantic history of enslavement, to zombie cannibals since the late 1960s and the fast-running zombie of the second millennium, it has been adapted to new realities and regimes of representation to better articulate, channel, and at times even stimulate the specific fears of their contemporaneous publics. This article analyzes a selection of zombies across film and TV history, focusing on contemporary high-grossing films like World War Z and TV shows like The Walking Dead. It aims at a critical reading of those zombies in the context of capitalism, globalism, and cosmopolitanism, asking to what various ends the undead have been mobilized in mainstream cinema.
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动员亡灵:从20世纪30年代到后千禧年电影的僵尸电影和他者话语
僵尸的形象在电影史上经历了不断的变化。从20世纪30年代与大西洋奴役历史有关的海地僵尸,到20世纪60年代末以来的食人僵尸和第二个千年的快速跑僵尸,它已经适应了新的现实和代表制度,以更好地表达,引导,有时甚至激发他们同时代公众的特定恐惧。本文分析了电影和电视史上的僵尸,重点是当代高票房的电影,如《僵尸世界大战》和电视节目,如《行尸走肉》。它旨在对资本主义、全球主义和世界主义背景下的僵尸进行批判性解读,探讨在主流电影中,不死族被动员起来的各种目的。
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CiteScore
0.60
自引率
25.00%
发文量
18
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