Concerning the spiritual in voice

Q1 Arts and Humanities Journal of Interdisciplinary Voice Studies Pub Date : 2021-12-01 DOI:10.1386/jivs_00048_1
Odeya Nini
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Abstract

In October of 2021, I had the honour of being invited into the sacred space of days to hours before death, as I sang for a woman dying of breast cancer. I had never met Regine Verougstreate before, but in the almost two hours of singing for her while she gazed into my eyes and took her last breaths, I had felt a timeless connection and a surrender that is hard to describe. I wrote these words as a stream-of-consciousness response to this experience and many experiences that I have had as a vocalist, from concert halls to marriage ceremonies, sharing sound from a place of the highest intention to align and attune and become a vessel. How can we describe the spirit that becomes our voice? More so, how can we allow for spirit to become us? How do we release the mental grip that hijacks a preconceived idea of what it is to sing? Radical presence. Poetry. Love. These are words that propose an opportunity to choose transcendence.
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关于精神的声音
2021年10月,我有幸被邀请进入死亡前几天到几小时的神圣空间,为一位死于乳腺癌的妇女唱歌。我以前从未见过Regine Verougstreate,但当她凝视着我的眼睛,咽下最后一口气时,我为她唱了将近两个小时的歌,我感到了一种永恒的联系和一种难以形容的臣服。我写这些话是对这段经历的意识流回应,也是对我作为歌手的许多经历的回应,从音乐厅到结婚典礼,从一个最高意图的地方分享声音,协调和调谐,成为一个容器。我们如何描述成为我们声音的精神?更重要的是,我们如何允许精神成为我们?我们怎样才能释放那种对歌唱的先入为主的思想束缚呢?激进的存在。诗歌。爱。这些词语暗示了一个选择超越的机会。
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来源期刊
Journal of Interdisciplinary Voice Studies
Journal of Interdisciplinary Voice Studies Arts and Humanities-Literature and Literary Theory
CiteScore
1.20
自引率
0.00%
发文量
10
期刊最新文献
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