{"title":"On Purpose: Interest, disinterest and literature we can live by","authors":"B. Hutchinson","doi":"10.1093/fmls/cqac026","DOIUrl":null,"url":null,"abstract":"\n The idea of ‘literature we can live by’ crystallizes the paradox of art: defined by its distance from life, it requires, at the same time, proximity to life. We turn to art because it offers a protected space of disinterested play – yet we are also profoundly interested in its ethical implications. In the words of Rilke’s ‘Archaic Torso of Apollo’, the work of art – and through its Apollonian patron, literature in particular – tells us that we must change our lives. Ranging widely from antiquity to modernity while highlighting key moments in early modernity and the Enlightenment, this essay identifies a recurring tension between two visions of literature: to be able to comment insightfully on life, it must be apart from it; to be able to respond adequately to life, it must be a part of it. It is not just the metaphors we live by, in other words, but also the metonyms.","PeriodicalId":42991,"journal":{"name":"FORUM FOR MODERN LANGUAGE STUDIES","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-06-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"FORUM FOR MODERN LANGUAGE STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/fmls/cqac026","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0
Abstract
The idea of ‘literature we can live by’ crystallizes the paradox of art: defined by its distance from life, it requires, at the same time, proximity to life. We turn to art because it offers a protected space of disinterested play – yet we are also profoundly interested in its ethical implications. In the words of Rilke’s ‘Archaic Torso of Apollo’, the work of art – and through its Apollonian patron, literature in particular – tells us that we must change our lives. Ranging widely from antiquity to modernity while highlighting key moments in early modernity and the Enlightenment, this essay identifies a recurring tension between two visions of literature: to be able to comment insightfully on life, it must be apart from it; to be able to respond adequately to life, it must be a part of it. It is not just the metaphors we live by, in other words, but also the metonyms.
“我们可以赖以生存的文学”的概念具体化了艺术的悖论:它由与生活的距离来定义,同时要求与生活的接近。我们转向艺术是因为它提供了一个受保护的无私游戏空间——但我们也对它的道德含义深感兴趣。用里尔克的《阿波罗的古代托索》(Archaic Torso of Apollo)的话来说,艺术作品——尤其是通过它的阿波罗赞助人,文学——告诉我们必须改变我们的生活。本文从古代到现代进行了广泛的研究,同时强调了早期现代性和启蒙运动中的关键时刻,指出了两种文学视野之间反复出现的紧张关系:要能够深刻地评论生活,就必须与生活分开;要想对生活做出充分的反应,它必须是生活的一部分。换言之,它不仅是我们赖以生存的隐喻,也是转喻。
期刊介绍:
Since its foundation in 1965, Forum for Modern Language Studies has published articles on all aspects of literary and linguistic studies, from the Middle Ages to the present day. The journal sets out to reflect the essential pluralism of modern language and literature studies and to provide a forum for worldwide scholarly discussion. Each annual volume normally includes two thematic issues.