Marita Golden’s And Do Remember Me as Womanist Homage to Black Women and the Civil Rights Movement

IF 0.3 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY WOMENS STUDIES-AN INTERDISCIPLINARY JOURNAL Pub Date : 2023-02-16 DOI:10.1080/00497878.2023.2175679
Paul Tewkesbury
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Abstract

The best-known work of American fiction about the 1960s civil rights movement is arguably Alice Walker’s 1976 novel Meridian. During the course of that novel, the titular character Meridian Hill participates in the struggle for racial justice in the American South, and in the process, she also develops an awareness of gender oppression in the larger society and within the movement itself. Accordingly, literary critics such as Barbara Christian, Norman Harris, Roberta Hendrickson, and Melissa Walker have analyzed the role of the movement in Meridian, while Susan Danielson and Karen Stein have focused specifically on ideological parallels between the civil rights movement and the nascent women’s movement in the novel. Since Meridian’s publication, however, very few novels have attempted to depict the African American female experience in the civil rights movement, even as historians have increasingly documented the significant roles that Black women played during the civil rights and Black Power movements of the 1950s, 1960s, and 1970s. This essay analyzes Marita Golden’s 1992 novel And Do Remember Me not only as a major yet overlooked fictional treatment of the 1960s civil rights movement in the United States, but also as an important celebration of Black women’s contributions to the movement. Born in 1950, six years after Alice Walker, Golden confesses that she “regret[s]” that she was “too young to have been an activist in the early days of the civil rights movement.” Whereas Walker, a native of Georgia, started college in 1961, participated in directaction protests during the early days of the movement, and even attended the March on Washington in 1963, Golden, a native of Washington, DC, started college much later, in 1968, after Martin Luther King, Jr.’s assassination. As such, Golden reflects, “In a sense I wrote And Do Remember Me as a way of living an experience I had not had but that had changed so many and so much” (“Message”).
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玛丽塔·戈尔登的《请记住我是女性主义者》向黑人妇女和民权运动致敬
关于20世纪60年代民权运动的最著名的美国小说可以说是爱丽丝·沃克1976年的小说《子午线》。在这部小说中,名义上的人物默里迪恩·希尔参与了美国南部争取种族正义的斗争,在这个过程中,她也意识到更大的社会和运动本身的性别压迫。因此,芭芭拉·克里斯蒂安、诺曼·哈里斯、罗伯塔·亨德里克森和梅丽莎·沃克等文学评论家分析了该运动在《Meridian》中的作用,而苏珊·丹尼尔森和凯伦·斯坦则特别关注小说中民权运动和新生妇女运动在意识形态上的相似之处。然而,自从默里迪恩出版以来,很少有小说试图描绘非裔美国女性在民权运动中的经历,尽管历史学家越来越多地记录了黑人女性在20世纪50年代、60年代和70年代的民权运动和黑人权力运动中所扮演的重要角色。本文分析了玛丽塔·戈尔登(Marita Golden) 1992年的小说《请记住我》(And Do Remember Me),它不仅是对20世纪60年代美国民权运动的重要而又被忽视的虚构处理,而且是对黑人妇女对该运动贡献的重要庆祝。戈尔登出生于1950年,比爱丽丝·沃克晚6年。她承认自己“后悔”自己“太年轻,没能在民权运动早期成为一名积极分子”。沃克出生于乔治亚州,1961年开始上大学,在运动初期参加了直接抗议活动,甚至参加了1963年的华盛顿大游行。而戈登出生于华盛顿特区,开始上大学的时间要晚得多,是在1968年马丁·路德·金遇刺之后。因此,戈尔登反思道:“从某种意义上说,我写《请记住我》是作为一种生活方式,一种我没有经历过的经历,但它改变了我很多很多。”(《讯息》)
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WOMENS STUDIES-AN INTERDISCIPLINARY JOURNAL
WOMENS STUDIES-AN INTERDISCIPLINARY JOURNAL HUMANITIES, MULTIDISCIPLINARY-
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85
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