{"title":"King Lear and the Art of Fathoming","authors":"Laurence J W Publicover","doi":"10.1086/699622","DOIUrl":null,"url":null,"abstract":"he second of King Lear ’s three great storm scenes opens with Kent, disguised as Caius, repeatedly urging the king to enter a hovel located offt stage. After batting away Kent’s first three pleas, Lear responds to the fourth with a speech that begins in refusal, moves grudgingly into assent, turns sideways toward the Fool, and concludes as an apostrophe (introduced as a prayer) on the impoverished. Here it is as printed in the 1623 Folio:","PeriodicalId":53676,"journal":{"name":"Renaissance Drama","volume":"46 1","pages":"167 - 191"},"PeriodicalIF":0.0000,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/699622","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Renaissance Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/699622","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1
Abstract
he second of King Lear ’s three great storm scenes opens with Kent, disguised as Caius, repeatedly urging the king to enter a hovel located offt stage. After batting away Kent’s first three pleas, Lear responds to the fourth with a speech that begins in refusal, moves grudgingly into assent, turns sideways toward the Fool, and concludes as an apostrophe (introduced as a prayer) on the impoverished. Here it is as printed in the 1623 Folio:
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