WRITERʼS ESEISTICS IN THE LITERARY PROCESS OF MODERNITY, OR ON THE REASONS FOR THE POPULARITY OF THE GENRE

Тетяна Шевченко
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Abstract

The article tells about the reasons for the popularity of writer’s essay in the modern lit- erary process. The key point is that the contemporary writer is an artist opening to various, often polar, creative practices. Therefore, she can be simultaneously involved in different discourses, and often equally effective. For this reason, there are so many Ukrainian writ-ers today who are at the same time engaged in scientific, literary-critical, editorial, and public activity, without favoring any of these types of creativity. Essays become a unifying link for all these processes, because artists who have literary-critical, scientific, public, ed- itorial experience etc. often turn to it. The article focuses on writer’s essay as an indicator of multiliteracy, an open set of writing processes. External factors in literature (increased interest in the personality, interest in the figure of the writer as an individual, the reader’s demand for non-standard forms of artistic word, convergence of literature and media) and internal factors in literature (change of generation of writers, interest in the statement from traditional poetics to the poetics of artistic modality, the crisis of great epic forms) are ana- lyzed as factors that contribute to essay popularity. A special emphasis is placed on modern variations of Montaigne work’s variations in the era of Web 2.0.
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作家在现代性文学过程中的境遇,或论文学流派流行的原因
文章告诉了作家散文在现代文学过程中流行的原因。关键的一点是,当代作家是一位对各种、往往是两极的创造性实践持开放态度的艺术家。因此,她可以同时参与不同的话语,并且通常同样有效。出于这个原因,今天有很多乌克兰作家同时从事科学、文学批评、编辑和公共活动,而不支持任何这些类型的创造力。散文成为所有这些过程的统一纽带,因为具有文学批评、科学、公共、教育经验等的艺术家经常求助于散文。本文将作家的散文作为多元文学的指标,这是一组开放的写作过程。文学中的外部因素(对个性的兴趣增加,对作家作为个体的形象的兴趣,读者对艺术词汇的非标准形式的需求,文学和媒体的融合)和文学中的内部因素(作家时代的变迁、对传统诗学向艺术形态诗学的表述的兴趣、伟大史诗形式的危机)被分析为促成散文流行的因素。特别强调的是蒙田作品在Web2.0时代的现代变体。
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THE FUNCTIONING OF THE DETECTIVE SCHEME IN POSTMODERN LITERATURE (G. del Toro and C. Hogan «The Strain») ESSEISTIC IN THE CONTEXT OF MODERN SCIENTIFIC INQUIRIES CASE-LAW IN THE GENRE STRUCTURE OF THE HISTORICAL NOVEL LINA KOSTENKO «MARUSYA CHURAI» WRITERʼS ESEISTICS IN THE LITERARY PROCESS OF MODERNITY, OR ON THE REASONS FOR THE POPULARITY OF THE GENRE ALEXANDER BELYAEV: THE BOUNDARIES OF FICTION
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