{"title":"Recitações: Bandolim de Adília Lopes","authors":"Diana Duarte Ferreira","doi":"10.21471/jls.v5i2.359","DOIUrl":null,"url":null,"abstract":"Borrowing the notion of “projet d’ensemble” from Roland Barthes’s Critique et verite, this essay proposes a critical analysis of Adilia Lopes’s Bandolim (2016). Two of the procedures that configure the book’s interior are outlined on the cover: text as sound and text as image. The metaphor of the mandolin and its performative demands relates to Eliot’s ideas about tradition and individuality and describes Lopes’s approach to poetry. Through a close reading of poems in the collection, I argue that Bandolim performs on the infinity of unity while representing the unity of infinity.","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":"5 1","pages":"75-92"},"PeriodicalIF":0.1000,"publicationDate":"2020-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Lusophone Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21471/jls.v5i2.359","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Borrowing the notion of “projet d’ensemble” from Roland Barthes’s Critique et verite, this essay proposes a critical analysis of Adilia Lopes’s Bandolim (2016). Two of the procedures that configure the book’s interior are outlined on the cover: text as sound and text as image. The metaphor of the mandolin and its performative demands relates to Eliot’s ideas about tradition and individuality and describes Lopes’s approach to poetry. Through a close reading of poems in the collection, I argue that Bandolim performs on the infinity of unity while representing the unity of infinity.