Marco Praga e Tatiana Pavlova: due mondi teatrali a confronto

M. Cambiaghi
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Abstract

In the twenties the playwright and stage director Marco Praga became a dramatic critic on the “Illustrazione italiana”. In his incisive production an interesting section is devoted to Tatiana Pavlova, a Russian actress who started performing in Italy in 1923, and gradually introduced a new concept of acting and show.Referring to reviews and pictures, this article investigates two different points of view about theatre, the relationship between text and stage, performance and further components of the show.
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马可·布拉格和塔蒂安娜·巴甫洛娃:两个戏剧世界的对比
二十年代,剧作家兼舞台剧导演马可·普拉加(Marco Praga)成为《意大利插画》(Illustrazione italiana)的戏剧评论家。在这部精辟的作品中,有一个有趣的部分专门介绍了塔蒂亚娜·帕夫洛娃(Tatiana Pavlova),这位俄罗斯女演员于1923年开始在意大利演出,并逐渐引入了表演和表演的新概念。参考评论和图片,本文研究了关于戏剧的两种不同观点,文本与舞台的关系,表演和演出的进一步组成部分。
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