Margins, flows and crossing points: France's liquid territory

IF 0.4 4区 社会学 Q3 CULTURAL STUDIES French Cultural Studies Pub Date : 2023-01-11 DOI:10.1177/09571558221150699
E. Welch
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Abstract

In his accounts of Montmartre and Marseille, Nicholas Hewitt shows how places on margins and frontiers channel flows of different sorts running across city, nation and world. In doing so, they open up suggestive perspectives on the nature of French territory, how it is conceived, and how it can be imagined. In particular, they foreground the productive tension of the marginal place as edge and opening, and interrogate the bounded and regulated space implied by the geometrical trope of the French ‘hexagon’. What emerges instead is a curiously liquid sense of French space-in-time as shifting, shimmering and mercurial, caught up in and contributing to the ebb and flow of global circulation. This article explores how movement, flow and liquidity have featured in recent explorations of French territory and topography, drawing on work by Jean Rolin, Agnès Varda and the photography project France(s) territoire liquide, whose title spells out its assumption about the nature of contemporary French space. At the same time, the article situates those accounts in relation to conceptions of French territory which informed the work of post-war spatial planners, whose substantial material and infrastructural legacies reflected their own sense of territory as flux, flow and liquid force.
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边界、流动和交叉点:法国流动的领土
尼古拉斯·休伊特(Nicholas Hewitt)在他对蒙马特和马赛的描述中,展示了边缘和边境地区如何在城市、国家和世界之间流动。在这样做的过程中,他们对法国领土的性质、它是如何构思的以及它是如何想象的开辟了具有启发性的视角。特别是,他们将边缘地带的生产张力视为边缘和开口,并质疑法国“六边形”的几何比喻所暗示的有界和有规律的空间。相反,出现的是一种奇怪的流动感,即法国的空间在时间上是变化的、闪烁的、多变的,被全球循环的起伏所吸引并促成。本文借鉴让·罗林(Jean Rolin)、阿格尼斯·瓦尔达(Agnès Varda。同时,文章将这些叙述与法国领土的概念联系起来,这些概念为战后空间规划者的工作提供了信息,他们的物质和基础设施遗产反映了他们自己对领土的流动感和流动力。
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
20
期刊介绍: French Cultural Studies is a fully peer reviewed international journal that publishes international research on all aspects of French culture in the Nineteenth and Twentieth Centuries. Articles are welcome on such areas as cinema, television and radio, the press, the visual arts, popular culture, cultural policy and cultural and intellectual debate. French Cultural Studies is designed to respond to the important changes that have affected the study of French culture, language and society in all sections of the education system. The journal encourages and provides a forum for the full range of work being done on all aspects of modern French culture.
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