Hybrid Creature—Dragon-tailed Lion Motif in Eurasian Textile Imagery

Kunhang Li, Yu Liu
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Abstract

The dragon-tailed lion motif is a hybrid creature motif usually composed of a lion’s body with a dragon’s head serving in place of the tail. As a decorative motif, the dragon-tailed lion mixes imagination and reality in Eurasian textile imagery, and is an excellent entry point for understanding medieval social culture. This article seeks to examine the symbolic meaning and development of this hybrid creature in different cultural contexts via Eurasian textile imagery and ancient documents. Broadly, the resulting shows that the combination, shape and symbolic meaning of the dragon-tailed lion are variable, whose symbolic functions are directly related to the cultural context of the lion and the dragon. The dragon-tailed lion motif as a long-standing imagery tradition and aesthetic, reflecting the common concept of creation and the extensive and diverse cultural connections in the Eurasian continent in the Middle Ages.
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欧亚纺织意象中的混合生物-龙尾狮母题
龙尾狮图案是一种混合生物图案,通常由狮子的身体和龙头代替尾巴组成。作为一种装饰主题,龙尾狮在欧亚纺织意象中融合了想象与现实,是理解中世纪社会文化的绝佳切入点。本文试图通过欧亚纺织图像和古代文献来考察这种杂交生物在不同文化背景下的象征意义和发展。从广义上看,龙尾狮的组合、形态和象征意义是可变的,其象征功能直接关系到狮子和龙的文化语境。龙尾狮作为一种长期存在的意象传统和美学,反映了中世纪欧亚大陆共同的创作理念和广泛多样的文化联系。
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