{"title":"Sassy and Strong: Intersections of Race, Attractional Orientation, and Gender Expression Within Music Education","authors":"Donald M. Taylor, Rashaad Calaham","doi":"10.1177/00224294231174168","DOIUrl":null,"url":null,"abstract":"The purpose of this narrative inquiry study was to explore how intersecting discourses of race, attractional orientation, and gender expression have influenced Author 2’s experiences as a Black, openly gay, gender-fluid middle school choir director. Rather than hiding his attractional orientation and gender expression, he leans into these characteristics, describing himself as “sassy and effeminate,” thereby challenging notions of compulsory heteroattraction, gender binaries, and whiteness in music education. He posits that being open with students is a vital component for establishing trust within his classroom, which he asserts is the foundation of good teaching. Black joy, Black Queer joy, and Queer Crit perspectives serve as theoretical lenses through which his story is discussed.","PeriodicalId":47469,"journal":{"name":"Journal of Research in Music Education","volume":" ","pages":""},"PeriodicalIF":1.2000,"publicationDate":"2023-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Research in Music Education","FirstCategoryId":"95","ListUrlMain":"https://doi.org/10.1177/00224294231174168","RegionNum":4,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"EDUCATION & EDUCATIONAL RESEARCH","Score":null,"Total":0}
引用次数: 0
Abstract
The purpose of this narrative inquiry study was to explore how intersecting discourses of race, attractional orientation, and gender expression have influenced Author 2’s experiences as a Black, openly gay, gender-fluid middle school choir director. Rather than hiding his attractional orientation and gender expression, he leans into these characteristics, describing himself as “sassy and effeminate,” thereby challenging notions of compulsory heteroattraction, gender binaries, and whiteness in music education. He posits that being open with students is a vital component for establishing trust within his classroom, which he asserts is the foundation of good teaching. Black joy, Black Queer joy, and Queer Crit perspectives serve as theoretical lenses through which his story is discussed.
期刊介绍:
The quarterly Journal of Research in Music Education comprises reports of original research related to music teaching and learning. The wide range of topics includes various aspects of music pedagogy, history, and philosophy, and addresses vocal, instrumental, and general music at all levels, from early childhood through adult.