Textiles in Burman Culture

Abstract

larly useful in regard to establishing processes to minimise the effects of agents of deterioration (such as pests, pollutants, light), for example, implementing a regular gallery maintenance program and monitoring light levels. An essential part of the book is the section on condition surveys and treatment methodologies. Following a philosophy of minimal intervention, Marko guides the reader through the process of making treatment decisions. She outlines the objectives to be considered in determining appropriate cleaning methods, and in developing options for structural support and display. This discussion also covers conservation stitching and infill techniques used to compensate for loss—methods that reinstate images to enhance the visual presentation of a tapestry. Marko views previous interventions as part of the history of an object—a philosophy that is now generally accepted in the field of textile conservation. When relevant, Marko advocates strengthening weakened historical repairs with stitching techniques. She carefully considers the removal of previous interventions on a case-by-case basis. For example, if there are repairs, restorations or alterations that are causing distortion and undermining the physical stability of a tapestry, these could be removed. Toward the end of the book, Marko expertly illustrates the topics discussed in previous chapters through twenty case studies. Each highlights a specific conservation challenge and presents accessible directions for the treatment strategies Marko and her team employed (it is clear from her presentation that teamwork is integral to the successful outcome of a project). Here, as throughout the book, she uses images to communicate the elements of the intricate and laborious procedures involved in conserving tapestries. Marko shares a wealth of information in this seminal publication. The book concludes with appendices on materials and equipment used in conservation treatments. The appendices also include examples of standard procedures such as condition reporting and documentation, which are seen as obligatory for the fulfilment of the conservator’s responsibility to preserve findings for the future, and to create a foundation for productive conservation and curatorial discussions. The glossary, index and bibliography provide further helpful resources to guide the reader through the rich technical content of the book. Woven Tapestry: Guidelines for Conservation is an important contribution to the field of textile conservation. The book is an essential resource not only for experts in the field, but for beginners as well. Indeed, it is accessible to any reader with an interest in the preservation of this highly complex and technically sophisticated art form.