Unsettling The Tempest

Q3 Arts and Humanities Renaissance Drama Pub Date : 2021-03-01 DOI:10.1086/713985
Caroline Pirri
{"title":"Unsettling The Tempest","authors":"Caroline Pirri","doi":"10.1086/713985","DOIUrl":null,"url":null,"abstract":"1 he Tempest’s link to the Americas reaches back to its initial publication. The frontispiece to the play in the 1623 First Folio featured a woodcut of t an indigenous spearfisher, likely drawn from Theodor De Bry’s illustrations to Thomas Hariot’s A Brief and True Report (1588). The storied connection betweenThe Tempest and theNewWorld has endured throughmany criticalmovements in the field.While early historical scholars insisted on an archival relationship to theNewWorld, citingWilliamStrachey’sTrueRepertory of theWrack (afirsthand account of the Sea Venture’s 1609 wreck off the Bermudas) as an influence on the play’s opening shipwreck, postcolonial and New Historicist scholars have preferred to emphasize a more thematic connection to American settlement, seeing in Prospero’s subjugation of the island’s native inhabitants a fable for imperial conquest.More recently, however, scholars have begun to contest the idea that The","PeriodicalId":53676,"journal":{"name":"Renaissance Drama","volume":"49 1","pages":"77 - 99"},"PeriodicalIF":0.0000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/713985","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Renaissance Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/713985","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

Abstract

1 he Tempest’s link to the Americas reaches back to its initial publication. The frontispiece to the play in the 1623 First Folio featured a woodcut of t an indigenous spearfisher, likely drawn from Theodor De Bry’s illustrations to Thomas Hariot’s A Brief and True Report (1588). The storied connection betweenThe Tempest and theNewWorld has endured throughmany criticalmovements in the field.While early historical scholars insisted on an archival relationship to theNewWorld, citingWilliamStrachey’sTrueRepertory of theWrack (afirsthand account of the Sea Venture’s 1609 wreck off the Bermudas) as an influence on the play’s opening shipwreck, postcolonial and New Historicist scholars have preferred to emphasize a more thematic connection to American settlement, seeing in Prospero’s subjugation of the island’s native inhabitants a fable for imperial conquest.More recently, however, scholars have begun to contest the idea that The
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
平息暴风雨
Tempest与美洲的联系可以追溯到其最初的出版。1623年的《第一对开本》中,该剧的正片以一位土著长矛手的木刻为特色,很可能是从西奥多·德·布里的插图到托马斯·哈里奥特的《简短而真实的报告》(1588)中绘制的。《暴风雨》和《新世界》之间的传奇联系经历了该领域的许多批评。虽然早期的历史学者坚持与《新世界》有档案关系,引用威廉·斯特拉奇的《Wrack的真相汇编》(对1609年海洋冒险号在百慕大群岛附近沉船的第一手描述)作为对该剧开场沉船的影响,但后殖民主义和新历史主义学者更倾向于强调与美国定居的主题联系,在普罗斯彼罗对岛上土著居民的征服中看到了一个帝国征服的寓言。然而,最近,学者们开始质疑
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Renaissance Drama
Renaissance Drama Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
8
期刊最新文献
Cosmic Conversion and Timon’s Block Affective Ecologies: Afterword Female Masquers and Ambiguity in Timon of Athens Imaginary Puissance: Historicizing “Setting” and Discourses of Control Tamburlaine, Able-Bodiedness, and the Skills of the Early Modern Player
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1