The persuasive mechanism of monoglossic propositions in advertisments

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Ars & Humanitas Pub Date : 2020-06-23 DOI:10.4312/ars.14.1.171-185
A. Križan
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引用次数: 1

Abstract

As a genre, advertising is generally characterized by its persuasive and communicative rhetoric, i.e. it uses language and strategies effectively as a means of “structured” and “paid nonpersonal communication” to influence or persuade the potential consumer to buy the product (Wells et al., 2000, 6; Arens et al., 2008, 7). Persuasive rhetoric has its origins in Aristotle’s rhetorical theory; according to Barnes (1984), advertisements utilize three modes of persuasion: ethos (the appeal to one’s character), pathos (the appeal to emotion) and logos (the appeal to reason). As illustrated in the paper, it is the evaluative nature of appraisals in seemingly factual monoglossic propositions that helps realise those appeals, in particular pathos. Perloff (2010) and Jefkins and Yadin (2000, 13-15) define advertising persuasion in terms of changing and influencing the consumer’s attitudes or behaviour. This is principally achieved through the social values, norms and attitudes that they mirror and shape (White, 2000; Vestergaard, Schroder, 1985). The social activity of advertisements, as of most genre types, is managed particularly through interpersonal meanings1, which closely pertain to the persuasive rhetoric, since their realization reflects the participants’ (advertiser vs advertisee) interaction, their mutual influence, the construction and fulfilment of social roles, the adoption of attitudinal positions, and the establishment of relationships (White, 2000). One of the linguistic tools that realizes the interpersonal function is the appraisal, defined as “one of three major discourse-semantic resources for construing interpersonal meaning” (Martin, White, 2005). In the appraisal model, all utterances (verbal and print) are considered “dialogic”, i.e. they refer to, respond to, affirm or stay neutral toward value judgements: they also anticipate the possible responses of an actual and imagined reader, and so on (Martin, White, 2005, 92). Such a view is based on Bakhtin (1981, 281), who states that all utterances exist “... against backdrop of other concrete utterances on the same theme, a background made up of contradictory opinions,
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广告中单语命题的说服机制
作为一种类型,广告通常以其说服性和交际性的修辞为特征,即它有效地使用语言和策略作为“结构化”和“付费的非个人化沟通”的手段,来影响或说服潜在消费者购买产品(Wells等人,2000,6;Arens等人,2008,7)。说服修辞起源于亚里士多德的修辞学理论;根据Barnes(1984)的观点,广告使用了三种说服模式:精神(对性格的吸引力)、悲情(对情感的吸引力)和理性(对理性的吸引力)。如论文所示,正是在看似事实的单损失命题中,评价的评价性质有助于实现这些吸引力,尤其是悲情。Perloff(2010)、Jefkins和Yadin(2000,13-15)将广告说服定义为改变和影响消费者的态度或行为。这主要是通过反映和塑造的社会价值观、规范和态度来实现的(White,2000;Vestergaard,Schroder,1985年)。与大多数类型的广告一样,广告的社会活动尤其是通过人际意义1来管理的,人际意义1与说服修辞密切相关,因为它们的实现反映了参与者(广告商与广告受众)的互动、他们的相互影响、社会角色的构建和实现、态度立场的采用,以及建立关系(White,2000年)。评价是实现人际功能的语言工具之一,被定义为“解释人际意义的三大话语语义资源之一”(Martin,White,2005)。在评估模型中,所有话语(口头和印刷品)都被认为是“对话的”,即它们指代、回应、肯定或对价值判断保持中立:它们还预测实际和想象中的读者可能做出的反应,等等(Martin,White,2005,92)。这种观点是基于巴赫金(1981,281),他指出所有的话语都存在“……在同一主题的其他具体话语的背景下,一个由矛盾的观点组成的背景,
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来源期刊
Ars & Humanitas
Ars & Humanitas HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
1
审稿时长
16 weeks
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