Icons, Troubled and Troubling

Q2 Arts and Humanities Cracow Indological Studies Pub Date : 2019-06-14 DOI:10.12797/CIS.21.2019.01.03
G. Colas
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引用次数: 0

Abstract

The Vimānārcanakalpa, a text of around the 10th century C.E., belongs to the Vaikhānasa medieval corpus of ritual manuals. It contains a wealth of ritual and iconographic prescriptions about man-made icons of Viṣṇu and his manifestations, management of power in icons, atonements for ritual shortcomings, etc. According to the Vimānārcanakalpa, the duty of the founder patron, the priests and the whole society is to perpetuate ritual and preserve the integrity of icons as defectless bodily forms in an unsullying environment, because the benefits aspired to by them through the installation of icons are constantly threatened. Dependent on numerous internal (material damage, ritual defects, etc.) and external (theft, defilement, etc.) factors, icons are forever prone to troubles and can become troubling when deprived of ideal conditions.
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图标,麻烦和麻烦
《Vimānārcanakalpa》是公元前10世纪左右的一本文本,属于Vaikhānasa中世纪的仪式手册语料库。它包含了大量关于Vi人造图标的仪式和图像处方ṣṇu及其表现形式、对圣像权力的管理、对仪式缺陷的弥补等。根据Vimānārcanakalpa的说法,创始人赞助人、牧师和整个社会的职责是在不合格的环境中延续仪式,并维护圣像作为无缺陷身体形式的完整性,因为他们通过安装图标所追求的利益不断受到威胁。取决于许多内部(物质损坏、仪式缺陷等)和外部(盗窃、玷污等)因素,图标永远容易出现麻烦,当被剥夺理想条件时,可能会变得麻烦。
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来源期刊
Cracow Indological Studies
Cracow Indological Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
9
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