Hamlet Underground: Revisiting Shakespeare and Dostoevsky

C. Thurman
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引用次数: 1

Abstract

Abstract This is the first of a pair of articles that consider the relationship between Dostoevsky’s novella Notes from the Underground and Shakespeare’s Hamlet. Acknowledging Shakespeare’s well-known influence on Dostoevsky and paying close attention to similarities between the two texts, the author frames the comparison by reflecting on his own initial encounter with Dostoevsky in David Magarshack’s 1968 English translation. A discussion of previous Anglophone scholarly attempts to explore the resonance between the texts leads to a reading of textual echoes (using Magarshack’s translation). The wider phenomenon of Hamletism in the nineteenth century is introduced, complicating Dostoevsky’s national and generational context, and laying the groundwork for the second article—which questions the ‘universalist’ assumptions informing the English translator-reader contract.
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地下哈姆雷特:重读莎士比亚和陀思妥耶夫斯基
本文是探讨陀思妥耶夫斯基的中篇小说《地下笔记》与莎士比亚的《哈姆雷特》之间关系的两篇文章中的第一篇。作者承认莎士比亚对陀思妥耶夫斯基的影响是众所周知的,并密切关注这两个文本之间的相似之处,他通过反思自己最初与陀思妥耶夫斯基在1968年David Magarshack的英文译本中的相遇来进行比较。对以往以英语为母语的学者试图探索文本之间共鸣的讨论导致了文本回声的阅读(使用Magarshack的翻译)。十九世纪更广泛的哈姆雷特主义现象被引入,使陀思妥耶夫斯基的国家和时代背景复杂化,并为第二篇文章奠定了基础,这篇文章质疑了英语翻译-读者契约中的“普遍主义”假设。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
14
审稿时长
13 weeks
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