Listening and becoming through sound: audio autoethnographic collaboration as critical communication pedagogy

Q3 Social Sciences Review of Communication Pub Date : 2020-10-01 DOI:10.1080/15358593.2020.1819557
Deanna Shoemaker, Karen Werner
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引用次数: 0

Abstract

ABSTRACT This performative, dialogic essay and experimental performance in sound for 2+ voices explores collaboration through audio as an embodied and emergent critical communication pedagogy. We frame two audio projects as inherently pedagogical forms of creative inquiry while evoking the uncertainty, joy, and chaos of our evolving processes on the page and in aural resonances. Sound-based collaborations as critical communication pedagogy offer an intimate third space where an expanded “we” emerges and communicates in concert with other environmental actors, such as the seasons, birds, and vibrant matter. Using audio as a uniquely intimate medium, we explore critical inquiry through context-based assemblages of seemingly disparate parts and experiences that coexist and can (re)constitute each other. Voices and sounds become coagentic through affective and material gestures; there are many dramatic movements and messages in play, if only we listen.
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通过声音倾听和成长:作为批判性交流教学法的音频自民族志合作
这是一篇关于2+声音的表演、对话文章和实验表演,探讨了通过音频作为一种具体的、新兴的批判性交流教学法来进行合作。我们将两个音频项目作为创造性探究的固有教学形式,同时在页面和听觉共鸣中唤起我们进化过程的不确定性,喜悦和混乱。以声音为基础的合作作为关键的交流教学法提供了一个亲密的第三空间,在这个空间中,一个扩展的“我们”出现了,并与其他环境参与者(如季节、鸟类和充满活力的物质)协调交流。我们使用音频作为一种独特的亲密媒介,通过基于上下文的看似不同的部分和经验的组合来探索批判性探究,这些部分和经验共存并可以(重新)构成彼此。声音和声音通过情感和物质的手势变得凝固;如果我们仔细倾听,就会发现有许多戏剧性的动作和信息在发挥作用。
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来源期刊
Review of Communication
Review of Communication Social Sciences-Communication
CiteScore
1.70
自引率
0.00%
发文量
16
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