A Meshwork of Melodies: Des-making Through the Singing and Wayfaring of Shah Abdul Latif’s Devotees

IF 0.3 0 LANGUAGE & LINGUISTICS Philological Encounters Pub Date : 2022-03-02 DOI:10.1163/24519197-bja10030
Pei-ling Huang
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Abstract

This article imagines a conception of Sindh that rejects the bounded ethnolinguistic region created through colonial-modern philology and administration. I explore affective geographies produced through singing, storytelling, and traveling in relation to the poetry of Sufi mystic Shah Abdul Latif Bhittai (1689–1752) by his past and present devotees, drawing on the idea of region as a meshwork of movements created through lived lines of wayfaring, to borrow a concept from Tim Ingold. Focusing on the melodic chapters of verses (Surs) in Shah Jo Rāg, a repertoire for singing Latif’s poetry by specialist devotees (rāgī faqīrs), I reconstruct two kinds of movement. First, traces of historical movement from less-acknowledged Surs in Shah Jo Rāg and the Ganj, an early manuscript. Second, contemporary movements inspired by Surs based on two popular romances, from the narratives of Latif’s devotees. These movements reveal processes of des-making: creating entanglements to a relational and cumulative des (“land, country”).
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旋律的网:通过沙阿·阿卜杜勒·拉蒂夫信徒的歌唱和旅行来制作
本文设想了一个信德省的概念,该概念拒绝了殖民地现代语言学和行政管理所创造的有限的民族语言区域。我探索了通过唱歌、讲故事和旅行产生的情感地理,与苏菲神秘主义者Shah Abdul Latif Bhittai(1689–1752)过去和现在的信徒的诗歌有关,借鉴了Tim Ingold的概念,将区域视为通过生活路线创造的运动网络。我以Shah Jo Rāg(专业爱好者演唱拉蒂夫诗歌的曲目)中的旋律章节(Surs)为中心,重建了两种运动。首先,Shah Jo Rāg和Ganj(一份早期手稿)中不太知名的Surs的历史运动痕迹。其次,受苏尔启发的当代运动基于两部流行的浪漫小说,来自拉蒂夫信徒的叙事。这些运动揭示了des的形成过程:对关系和累积的des(“土地、国家”)产生纠缠。
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来源期刊
Philological Encounters
Philological Encounters Arts and Humanities-Language and Linguistics
CiteScore
0.70
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0.00%
发文量
13
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