La narrazione spettacolarizzata del paesaggio sonoro. Da Giuseppe Chiari a Philip K. Dick e oltre

Francesco Michi
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Abstract

Through the description of some works that I have conducted in recent years with Mechi Cena and Maurizio Montini, I will try to outline some possibilities in which the narration of the listening, of what you listen to, can become a matter of theater, meaning theater as a place where sounds, in this case, are presented in a certain way and in a certain way they are listened to. The theater is not only, we know that, a certain architectural space, but a place in which there is a here and a there, things represented and the target audience of those representations, and the representations are, in this case, stories of sounds.
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声音景观的壮观叙述。从朱塞佩·基利到菲利普·K·迪克和其他
通过对近年来我与梅奇·塞纳和毛里齐奥·蒙蒂尼合作的一些作品的描述,我将试图勾勒出一些可能性,在这些可能性中,对倾听的叙述,对你所听的内容的叙述,可以成为一种戏剧,这意味着戏剧是一个声音以某种方式呈现并以某种方式被倾听的地方。我们知道,剧院不仅是一个特定的建筑空间,而且是一个有这里和那里、被代表的事物和这些代表的目标观众的地方,在这种情况下,这些代表是声音的故事。
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