Bob Dylan: Narrazione dell''Umanesimo paranoide americano' = Bob Dylan: Narration of American paranoid Humanism

IF 0.2 Q4 COMMUNICATION H-ermes-Journal of Communication Pub Date : 2019-06-24 DOI:10.1285/I22840753N14P15
M. Raffa
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Abstract

Aiming to review Bob Dylan’s poetics discussing it outside its traditional interpretative paths — which use to interpret his poetry as a brilliant literary form of political commitment, the present video-essay argues that Dylan’s lyrical production has to be interpreted as individualistic and universalistic, rather than as communitarian and ideological. What is claimed is that in the twentieth century, in the United States, cultural conditions were created that were completely similar to those of Italian Renaissance humanism. However, what is here called ‘the Paranoid, American Humanism’, does not aspire to the harmony of forms, but to their corruption, determined by the paranoid influence of the religious precepts introduced by the Pilgrim Fathers. It will be argued that Dylan, as well as the greatest American narrators of the mid-twentieth century, have debunked the great American narratives through such groundbreaking form of pop humanism.
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鲍勃·迪伦:对美国偏执人文主义的叙述
为了回顾鲍勃·迪伦的诗学,在其传统的解释路径之外讨论它——用来解释他的诗歌作为一种辉煌的文学形式的政治承诺,目前的视频文章认为,迪伦的抒情作品必须被解释为个人主义和普遍主义,而不是社区主义和意识形态。在20世纪,在美国,文化条件被创造出来,完全类似于意大利文艺复兴时期的人文主义。然而,这里所谓的“偏执的美国人文主义”并不追求形式的和谐,而是追求形式的腐败,这是由清教徒神父引入的宗教戒律的偏执影响所决定的。有人会说,迪伦以及20世纪中期最伟大的美国叙述者,通过这种开创性的流行人文主义形式,揭穿了伟大的美国叙事。
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